Heine Avdal tries to find a balance between his family life and
professional life. He says he never made any conscious career choices but
let himself guide by what came along. When still in Norway, he did not
realize that there existed anything aside from the Norwegian national
ballet and state modern dance company. He desperately tried to get a job
there and when he did not succeed, decided to go to Germany to do
auditions. He soon found out that that did not work for him either. He
decided to stop looking for work and to start creating his own work. He got
into P.A.R.T.S. and through a workshop he came in contact with Meg Stuart
and Yukiko Shinozaki who later became his wife. After working for Meg
Stuart for four years the two of them decided to start making their own
work.
Brussels feels more and more like home because there are so many
foreigners. Avdal thinks it is easier to feel at home in Brussels than in
other European cities with a stronger identity. Because Brussels does not
have a well-defined identity, it belongs to everyone. He used to feel very
much part of a dance and performance community in Brussels. It was easy to
relate to that community because the people who belong to it are all
foreigners in a similar situation. He feels that he still does belong to
that dance community but it slightly changed when he had a child The
friends he has and the funding he receives make him belong to the Brussels
dance community, but at the moment he feels more connected to a community
of parents. That community is much more diverse than the dance community:
it consists of people from many different backgrounds. This new community
brings him more in contact with Belgian people. It gives him a stronger
basis and connects him more to the city. Avdal experiences how having a
child influences his mobility: he used to travel all over Europe, be in
residencies
Having a child keeps him much more in one place. It became
important for him to have a workspace in Brussels close to where he
lives.