Without any expectations, Johanne Saunier came to Belgium because of a
dancing position at Rosas through an audition. She danced in the company
for 12 years. Brussels is the only place where she really feels at home,
both professionally and personally. Although she is regarded as belonging
to the French rather than to the Flemish dance field, she is active in
both. Therefore, she is very aware of the gap between the two communities
and the differences between them. Pieces from the Flemish side are always
more person-based while the French side relies more on ideas and
abstractions. Internationally, Belgium is mostly known for its Flemish
choreographers and companies. Saunier does not claim to be part of the
Brussels dance community. But whether she likes it or not, she is part of
it because of her work and her teaching at PARTS. Through her teaching job,
she gets an idea of the different waves in the dance field that are
shifting through the years. Conceptual waves alternate with waves that
focus on mere movement. Saunier wants to create work that is not influenced
by those different moods.
It was not always easy to get accepted in the dance community because she
did not follow the traditional path of a choreographer. She has always
been a performer in the first place. That she does not belong to a company
anymore does not mean that she does not want to collaborate with others. On
the contrary, working in dialogue with others is much more fruitful. She
does not have a sense of freedom in her profession because she is so
dependent on the fluctuating dance field. One piece may tour a lot, the
next one wont. Only in the studio she is completely free. Once a piece is
finished, she depends on the choices of presenters and the tastes of the
moment (what is in). A successful piece gives her recognition and freedom
(also financially). The freedom is even bigger when she is given the
possibilities to continue her work because it is appreciated. A big change
in her life was having children. The interview shows that combining a
family and a dance career is not evident at all. The parents of her kids
school have no understanding of her professional reality of unemployment
and sporadic contracts. Her sense of belonging is only in her body.
Her top priority is finding a balance in her life between her family and
being a mother on the one hand and realizing her artistic projects and
staying in shape on the other. Artistically, she does not want to pin
herself down to what people associate her with, but she wants to keep
experimenting.