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Found 457 results for: Authors = "Jeroen Peeters" ordered by Title
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"Hoe elkaar ontmoeten?" Philipp Gehmacher over 'good enough' en 'Incubator' | Jeroen Peeters | De Morgen | 08 April 2005 | Choreographer: Philipp Gehmacher Performance Title: Incubator, good enough keywords: gesture, encounter, sociality, collaboration, working process, physicality, wtb2011 |
| "It's only a stupid dance" Jonathan Burrows, A Choreographer's Handbook | Jeroen Peeters | Etcetera | December 2010 | Choreographer: Jonathan Burrows, Matteo Fargion Performance Title: A Choreographer's Handbook, Cheap Lecture keywords: book review, choreography, practice, scores, ignorance, discourse |
| "It's only a stupid dance" Jonathan Burrows, A Choreographer's Handbook | Jeroen Peeters | Etcetera | December 2010 | Choreographer: Jonathan Burrows, Matteo Fargion Performance Title: A Choreographer's Handbook, Cheap Lecture keywords: book review, choreography, practice, scores, ignorance, discourse |
| | $Shot: over de pornografische zucht | Jeroen Peeters | Humus 3. Kaaitheater 1977-1998-2007 | September 2007 | Choreographer: Jennifer Lacey, Nadia Lauro, Zeena Parkins, Erin Cornell Performance Title: $Shot keywords: pornography, image, theatre, installation, private |
| ‘Ons lichaam kan onze dromen niet volgen' Choreografe en curator Julie Nioche stelt ‘BODYWORKs’ voor, een parcours in Vooruit en Museum Dr. Guislain. | Jeroen Peeters | De Morgen | 27 April 2004 | Choreographer: Julie Nioche Performance Title: X, XX, BODYWORKs keywords: body image, performance, installation, psychiatry |
| ‘De conceptuelen? Ik wil er niet over praten!’ Petra Roggel over de dansweek in Kaaitheater | Jeroen Peeters | De Morgen | 06 October 2004 | Choreographer: Thomas Lehmen, Eszter Salamon, Marten Spangberg Performance Title: Schreibstück, Powered by Emotion keywords: performance, conceptualism, ks04, BEconcept |
| ‘Wie wil kijken, kan volgen’ Beursschouwburgprogrammator Carine Meulders presenteert cyclus Bougement.
| Jeroen Peeters | De Morgen | 21 January 2004 | Choreographer: Superamas, Amgod, Vera Knolle, Alice Chauchat, Catherina Sagna Performance Title: Relation publique keywords: performance, conceptual dance, media, codes, everydayness, ks04, BEconcept |
| „Was du siehst, ist nicht, was du siehst“
Das Performancekollektiv Superamas über „BIG 2nd episode (show/business)“
| Jeroen Peeters | De Morgen | 23 June 2004 | Choreographer: Superamas Performance Title: BIG Episode 2 (show/business) keywords: pop culture, media, impure art, desire, imagery, superficiality, eclecticism, readymade |
| | Dance for nothing - Eszter Salamon | Jeroen Peeters | Etcetera | December 2010 | Choreographer: Eszter Salamon, Christine De Smedt Performance Title: Dance for nothing keywords: score, John Cage, Lecture on Nothing, improvisation, task, symbolical order |
| A Choreography of Disquiet deufert + plischke premiere reportable portraits at the steirischer herbst festival in Graz | Jeroen Peeters | corpus | 24 September 2007 | Choreographer: Kattrin Deufert, Thomas Plischke Performance Title: reportable portraits keywords: portrait, identity, social, heteronym, Fernando Pessoa, sleep, writing |
| A heterogeneous cipher: constructing digital identities in performance Notes to Wendy Houstoun's workshop, 'the Body (in) Question', ImPulsTanz Vienna 2002 | Jeroen Peeters | Sarma | July 2002 | Choreographer: Wendy Houstoun Performance Title: the Body (in) Question keywords: workshop, speech, gesture, digital, media |
| A noisy political phantasm Boris Charmatz presents Levée des conflits at Théâtre de la ville in Paris | Jeroen Peeters | corpus | 16 December 2010 | Choreographer: Boris Charmatz Performance Title: Levée des conflits keywords: social, collaboration, rhythm, Rolabd Barthes, neutral, politics |
| A tragedy of invisibility Afterwords: Merle Saarva and Krõõt Juurak, Camouflage | Jeroen Peeters | derStandard.at and ImPulsTanz.com | 14 July 2002 | Choreographer: Merle Saarva, Krõõt Juurak Performance Title: Camouflage keywords: Afterwords, camouflage, visibility, mimicry |
| A virgin sacrificed Afterwords: Jérôme Bel, Jérôme Bel | Jeroen Peeters | derStandard.at and ImPulsTanz.com | 10 July 2002 | Choreographer: Jérôme Bel Performance Title: Jérôme Bel keywords: Afterwords, body, text, language, semiotics |
| | A Visitor's Ramblings and Jottings | Jeroen Peeters | Programme | 30 April 2003 | Choreographer: Meg Stuart, Damaged Goods Performance Title: Visitors Only keywords: architecture, space, perception, brain, ghosts, working process, memory |
| Aards maar ook extatisch Rosas creëert ‘Raga for the Rainy Season / A Love Supreme’ op het KunstenFESTIVALdesArts | Jeroen Peeters | De Morgen | 21 June 2005 | Choreographer: Anne Teresa De Keersmaeker, Rosas Performance Title: Raga for the Rainy Season / A Love Supreme keywords: horizontal, vertical, dispersion, density, John Coltrane, Indian Raga, gestures, incidents |
| | Action in Perception | Jeroen Peeters | De Witte Raaf | January 2006 | Choreographer: Alva Noë Performance Title: Action in Perception keywords: perception, action, vision, neuroscience, philosophy of mind, sensorimotor skills, James J. Gibson |
| Afdalen in de materie Programmatekst bij het project 'Dieper' van Anne-Mie Van Kerckhoven en Marc Vanrunxt | Jeroen Peeters | Programme | 26 April 2003 | Choreographer: Marc Vanrunxt, Anne-Mie Van Kerckhoven Performance Title: Dieper keywords: matter, science, identity, mirror, presence, space, performance, installation, video, animation |
| After the orgasm the dance? Mette Ingvartsen presents 'To Come' at the Klapstuk Festival in Leuven | Jeroen Peeters | De Morgen | 02 November 2005 | Choreographer: Mette Ingvartsen Performance Title: To Come keywords: theatricality, imagination, sexuality, gender, desire |
| | Airport Kids - Lola Arias/Stefan Kaegi | Jeroen Peeters | Etcetera | December 2008 | Choreographer: Lola Arias, Stefan Kaegi, Rimini Protokoll Performance Title: Airport Kids keywords: experience experts, children, third culture kids, political theatre, globalisation |
| Alice in Wonderland Architect Willem-Jan Neutelings over het Arenbergproject van Stuc en Klapstuk | Jeroen Peeters and Katrien Darras | Veto | 15 March 1999 | Choreographer: Performance Title: keywords: theatre architecture, urbanism, typology, Willem-Jan Neutelings, STUK, Stuc |
| Allemaal winnaars? Jean Luc Ducourt met ‘Pourquoi quand je te regarde je ne me vois pas’ in Antwerpse Monty | Jeroen Peeters | De Morgen | 23 October 2003 | Choreographer: Jean Luc Ducourt, Jan Ritsema, Honoré d'O, Franciska Lambrechts, Tamara Debaty, Alain Franco Performance Title: Pourquoi quand je te regarde je ne me vois pas keywords: gaze, democracy, situation, horizontality |
| Alles Leinwand? Afterwords: Antony Rizzi, 'Judy was angry' | Jeroen Peeters | derStandard.at and www.ImPulsTanz.com | 09 August 2002 | Choreographer: Antony Rizzi Performance Title: Judy Was Angry keywords: Afterwords: theatre, soap, media, parody |
| | Als een viewmaster | Jeroen Peeters | Financieel-Economische Tijd | 12 January 2000 | Choreographer: Sharon Zuckerman, Arco Renz Performance Title: General Motors, Happy Zode, Fixing Dust keywords: cartoons, images, everydayness |
| An invitation to loiter Five e-mails to Thomas Lehmen in reply to his installation 'Invitation' at In Transit 08 in Berlin | Jeroen Peeters | corpus | 26 June 2008 | Choreographer: Thomas Lehmen Performance Title: Invitation keywords: loitering, knowledge, research, learning, procrastination, Peter Sloterdijk, André Lepecki |
| | Angst om te vallen? | Jeroen Peeters | Financieel-Economische Tijd | 09 December 2000 | Choreographer: Salva Sanchis, Isabelle De Keyser, Gabriella Iacono Performance Title: Itch & Fear keywords: fear, Jean-Paul Sartre, space, borders, gaze |
| Applaus voor een mythe Pina Bausch en Tanztheater Wuppertal met ‘Palermo Palermo’ in deSingel | Jeroen Peeters | De Morgen | 26 August 2005 | Choreographer: Pina Bausch Performance Title: Palermo Palermo keywords: myth, gender, generation, repertory |
| Artefact warmt zich op rond de laptop STUK brengt kunst en nieuwe media samen | Jeroen Peeters | De Morgen | 10 February 2004 | Choreographer: Commerce, Nik Haffner, Astrid Sommer, Angie Atmadjaja Performance Title: Campfire keywords: multimedia, technology, interdisciplinary, environment, archive, spectator |
| | At the limits of imagination | Jeroen Peeters | corpus | 06 April 2008 | Choreographer: Alexandra Baudelot, Julie Perrin, Jennifer Lacey, Nadia Lauro, Odile Duboc Performance Title: $Shot, Mhmmmm, Chateaux of France, This is an Epic, Projet de la matière keywords: book review, imagination, body as social construct, politics, community, matter, process |
| | Autographs of a celebrated body | Jeroen Peeters | corpus | 11 November 2008 | Choreographer: Trisha Brown Performance Title: Locus, It's a draw, So That The Audience Does Not Know Whether I Have Stopped Dancing keywords: drawing, score, art history |
| Away with the masterpieces
Superamas creates ‘BIG 2nd episode (show/business)’ at Dans@tack festival in Kortrijk
| Jeroen Peeters | De Morgen | 24 June 2004 | Choreographer: Superamas Performance Title: BIG 2nd episode (show/business) keywords: entertainment, desire, repetition, irony, soap, criticism, ideology, production process |
| | Balanceren in de leegte | Jeroen Peeters | Financieel-Economische Tijd | 26 January 2000 | Choreographer: Enzo Pezzela Performance Title: In Bilico keywords: tragedy, nomadism, presence, Jean-François Lyotard, void, blindness |
| Bandwerk met olijfolie als glijmiddel
Jan Fabre creëert ‘Quando l’uomo principale è una donna' in Théâtre de la Ville | Jeroen Peeters | De Morgen | 22 April 2004 | Choreographer: Jan Fabre, Lisbeth Gruwez Performance Title: Quando l'uomo principale è una donna keywords: ritual, excess, theatricality, gender |
| Batman in het sop Nieuwe choreografie van Hans Van den Broeck bij Klapstuk | Jeroen Peeters | Veto | 29 March 1999 | Choreographer: Hans Van den Broeck, Les ballets C de la B Performance Title: La Sortie keywords: everydayness, television, cinema, character |
| Bedrieglijke schoonheid Choreograaf Arco Renz over 'Dreamlands' | Jeroen Peeters | De Morgen | 07 November 2003 | Choreographer: Arco Renz Performance Title: Dreamlands keywords: beauty, appearance, Bali, abstract dramaturgy |
| Behangpapier-choreografie als stijloefening Thierry Smits en Compagnie Thor met 'Reliefs d’un banquet'
| Jeroen Peeters | Sarma | 24 April 2004 | Choreographer: Thierry SMits, Antoine Pickels, Cie Thor Performance Title: Reliefs d'un banquet keywords: opera, choreography, gender, camp, John Cage, Erik Satie |
| | Benjamin Verdonck - Werk/Some Work | Jeroen Peeters | De Witte Raaf | November 2008 | Choreographer: Benjamin Verdonck Performance Title: Werk / Some Work keywords: performance, documentation, collection, object |
| Blinde machinaties en groteske tegenbewegingen Notities bij 'Régi' van Boris Charmatz | Jeroen Peeters | Nieuwsbrief Dans in Limburg | April 2006 | Choreographer: Boris Charmatz Performance Title: Régi keywords: choreography, dramaturgy, sound, machine, grotesque, absorption, filtration, visibility, erasure |
| Bloedvergieten voor onsterfelijkheid Jan Fabre met 'Je suis sang' in deSingel | Jeroen Peeters | De Morgen | 25 August 2003 | Choreographer: Jan Fabre, Troubleyn Performance Title: Je suis sang (Conte de fées médiévale) keywords: beauty, violence, transgression, body |
| | Bloody Mary | Jeroen Peeters | Financieel-Economische Tijd | 15 December 1999 | Choreographer: Tom Plischke, Alice Chauchat, Martin Nachbar Performance Title: Events for television (again), L'homme A SORTIR AVEC son corps, Demgegenüber Boniertheit, Fleur (Anemone) keywords: Merce Cunningham, Igor Stravinsky, Le Sacre du printemps, anatomy, discipline, repetion, perception |
| Body compositions in the post-medium condition Afterwords: Saskia Hölbling and Dans.kias, other feature | Jeroen Peeters | derStandard.at and ImPulsTanz.com | 29 July 2002 | Choreographer: Saskia Hölbling, dans.kias Performance Title: other feature keywords: Afterwords, body, composition, medium |
| Brainstorming... Über die vergessene Debatte zur Tanzkritik in Berlin | Jeroen Peeters | Tanz made in Berlin | December 2004 | Choreographer: Pirkko Husemann, Petra Roggel, Franz Anton Cramer, Martin Nachbar Performance Title: keywords: Discourse, dance criticism, Berlin, UTC06 |
| Brainstorming… on the forgotten debate of dance criticism in Berlin | Jeroen Peeters | Tanz made in Berlin | 11 December 2004 | Choreographer: Martin Nachbar, Petra Roggel, Franz Anton Cramer, Pirkko Husemann Performance Title: keywords: Berlin, criticism, discourse, UTC06 |
| Breakdancer en filosoof Braziliaanse choreograaf Bruno Beltrão en Grupo de Rua de Niterói op KunstenFESTIVALdesArts | Jeroen Peeters | De Morgen | 18 May 2004 | Choreographer: Bruno Beltrão Performance Title: Do popping ao pop ou vice versa, Too Legit to Quit, Eu e meu coreógrafo no 63 keywords: streetdance, hiphop, philosophy, violence, doubt |
| | Buiten, binnen... berichten uit de studio | Jeroen Peeters | Etcetera | April 2005 | Choreographer: Jan Fabre, William Forsythe, La Ribot, Collect-If, Bojana Cvejic, Emil Hrvatin, Theatercombinat Performance Title: Denken in Bewegung, Corpus Jan Fabre, La Ribot, Collect-If by Collect-If, Anatomie Sade/Wittgenstein keywords: book review, documentation, performative writing, working process, artist's book, Gerald Siegmund, Luk Van den Dries |
| Cartografie van een stel Charlotte Vanden Eynde en Kurt Vandendriessche over 'Map me' | Jeroen Peeters | De Morgen | 29 October 2003 | Choreographer: Charlotte Vanden Eynde, Kurt Vandendriessche Performance Title: Map me keywords: performance, body, gender, tactility, video |
| | Choreografen in de pen | Jeroen Peeters | TM | March 2007 | Choreographer: Rosemary Butcher, Philipp Gehmacher, Akram Khan, Lorna Sanders, Susan Melrose Performance Title: Choreography, collisions and collaborations, incubator, Rush keywords: choreography, discourse, documentation, transmission |
| | Choreograferen na de dood van god | Jeroen Peeters | Nieuwsbrief Dans in Limburg | September 2003 | Choreographer: Alexander Baervoets, Alexis Destoop Performance Title: Ecce Homo, Schauet doch, Blind keywords: choreography, video, perception, body, affect, camera |
| | Choreograferen na de dood van God | Jeroen Peeters | Nieuwsbrief Dans in Limburg | 2003 | Choreographer: Alexander Baervoets Performance Title: Blind, Slow Motion, Ecce Homo keywords: Alexander Baervoets |
| Choreografie der rusteloosheid Over reportable portraits van deufert + plischke | Jeroen Peeters | Programme | 30 January 2008 | Choreographer: Kattrin Deufert, Thomas Plischke Performance Title: reportable portraits keywords: Social, community, choreography, writing, Fernando Pessoa, gesture, gaze |
| Choreografie voor een dansend oog
Etienne Guilloteau met ‘skènè’ in CCBe | Jeroen Peeters | De Morgen | 24 March 2004 | Choreographer: Etienne Guilloteau, Claire Croizé, Hans Meijer Performance Title: skènè keywords: formalism, perception, everydayness, anatomy, gender |
| | Choreographie als kritische Praxis. Arbeitsweisen bei Xavier Le Roy und Thomas Lehmen – Pirkko Husemann | Jeroen Peeters | Etcetera | December 2009 | Choreographer: Xavier Le Roy, Thomas Lehmen, Pirkko Husemann Performance Title: Choreographie als kritische praxis, E.X.T.E.N.S.I.O.N.S., Project, Funktionen, Schreibstück, Stationen keywords: criticism, critique, improvisation, productional conditions, practice, choreography, book review |
| Clutter in the soul’s landscape Meg Stuart, Benoît Lachambre and Hahn Rowe showing ‘FORGERIES, LOVE AND OTHER MATTERS’ in Schauspielhaus Zürich
| Jeroen Peeters | De Morgen | 03 June 2004 | Choreographer: Meg Stuart, Benoit Lachambre, Hahn Rowe Performance Title: Forgeries, Love and Other Matters keywords: landscape, sensoriness, filter, science fiction, corporeality, trash, film |
| Configuring commemoration
Philipp Gehmacher premiers ‘like there’s no tomorrow’in Brussels’ Kaaitheater
| Jeroen Peeters | corpus | 15 February 2007 | Choreographer: Philipp Gehmacher Performance Title: like there's no tomorrow keywords: gesture, absence, loss, commemoration, social, composition |
| Containers als choreografisch medium Notities bij het werkproces van Visitors Only van Meg Stuart en Damaged Goods | Jeroen Peeters | Etcetera | December 2003 | Choreographer: Meg Stuart, Damaged Goods Performance Title: Visitors Only keywords: dramaturgy, process, container, energy, possession, body, haunting, archive, image, performer, transparency, self-observation |
| Culturele competentie en zeggenschap Bespreking van Ine Vos (ed.), 'Cultuurparticipatie en maatschappelijk kwetsbare groepen' | Jeroen Peeters | Oikos | August 2004 | Choreographer: Ine Vos, Eric Corijn, Rudi Laermans, Rik Pinxten Performance Title: Cultuurparticipatie en maatschappelijk kwetsbare groepen keywords: culture, inclusion, participation |
| | Dance critic: profession, role, personage, performance? | Jeroen Peeters | Stationen | May 2004 | Choreographer: Thomas Lehmen Performance Title: Stationen keywords: criticism, role of the critic, knowledge, distance, proximity, practice, ANdré Lepecki, Roland Barthes, Gilles Deleuze, Felix Guattari, UTC06 |
| Dans als ontmoetingsplek Dans@tack-festival in Kortrijk zit erop | Jeroen Peeters | De Morgen | 01 July 2004 | Choreographer: Anne Juren, Alice Chauchat, Milli Bitterli, Carlos Pez Performance Title: A?, J'aime, What remains of me part 2, Already played tomorrow keywords: laboratory, perception, pleasure, dance, storytelling |
| | Danscriticus: beroep, rol, personage, performance? | Jeroen Peeters | Stationen | May 2004 | Choreographer: Thomas Lehmen, Thomas Plischke, Martin Nachbar, Vera Mantero, Meg Stuart Performance Title: Stationen 2 keywords: criticism, role of the critic, knowledge, practice, distance, proximity, looking, writing, authorship, Roland Barthes, ANdré Lepecki, Gilles Deleuze, Felix Guattari |
| Dansen op een bouwwerf
Hush Hush Hush creëert ‘ID’s Please – under construction’ in CCBe | Jeroen Peeters | De Morgen | 16 November 2004 | Choreographer: Hush Hush Hush, Abelazziz Sarrokh, Khalid Benaouisse Performance Title: ID's Please - under construction keywords: hiphop, pantsula, bricolage, anecdote, multiculturalism |
| Dansen totterdood, tot de lente wederkeert Vaslav Nijinski leeft verder in de talrijke interpretaties van Le sacre du printemps | Jeroen Peeters | De Morgen | 23 January 2004 | Choreographer: Vaslev Nijinski, Raimund Hoghe, Lorenzo De Brabandere, Pina Bausch Performance Title: Le sacre du printemps, Sacre - The Rite of Spring, Sacre keywords: ballet, modernism, Stravinsky, gravitation, interpretation, history |
| Dansende schimmen in je hoofd
Choregraaf Boris Charmatz te gast op ‘Verwantschappen #2’ in CC Maasmechelen | Jeroen Peeters | Sarma | 06 November 2004 | Choreographer: Boris Charmatz, César Vayssié, Julia Cima Performance Title: Les Disparates, La Chaise keywords: perception, memory, projection, mental images, space |
| | Dansfeest in de blekerij | Jeroen Peeters | Financieel-Economische Tijd | 23 February 2000 | Choreographer: Performance Title: keywords: PARTS, dance education, Sum/some of the parts, Theo Van Rompaey |
| | Danswetenschap in Duitsland | Jeroen Peeters | TM | February 2007 | Choreographer: Performance Title: keywords: |
| Danswetenschap in Duitsland (2) Gelezen | Jeroen Peeters | TM | March 2008 | Choreographer: Gabriele Brandstetter, Hortensia Völckers, Gabriele Klein, Henk Borgdorf, Bojana Cvejic, Hannah Hurtzig, Pirkko Husemann Performance Title: Knowledge in motion keywords: book review, dance, knowledge, information, meaning, experience, narrativity |
| Danswetenschap in Duitsland (3) Gelezen | Jeroen Peeters | TM | April 2008 | Choreographer: Gabriele Brandstetter Performance Title: keywords: dance studies, Germany, knowledge, methodology, Gabriele Brandstetter, book review |
| Das Monströse ersetzen Anmerkungen über Transformation und Fiktion am Rande der Proben und Vorbereitungen zu REPLACEMENT von Meg Stuart/Damaged Goods
| Jeroen Peeters | Programme | 11 January 2006 | Choreographer: Meg Stuart Performance Title: Replacement keywords: monster, monstrosity, violence, visibility, fiction, transformation, science, history, modernity |
| 'De aarde kreunt maar we luisteren niet' Choreograaf Akram Khan over Europese première van 'MA' | Jeroen Peeters | De Morgen | 10 June 2004 | Choreographer: Akram Khan Performance Title: MA keywords: kathak, storytelling, language, cultural diversity, earth |
| De anamnese van het dansbare Hoe Sarah Chase met verhalen de dans wekt | Jeroen Peeters | Etcetera | March 2000 | Choreographer: Sarah Chase, Benoit Lachambre, Alexander Baervoets Performance Title: Secrets & Stories, Muzz, Walden, Lamont Earth Observatory keywords: dance, storytelling, autobiography, identity, memory, anamnesis, Jean-François Lyotard, Roland Barthes, Georges Bataille |
| De beweging houdt nooit op Trisha Brown met gemengd programma in deSingel | Jeroen Peeters | De Morgen | 03 May 2005 | Choreographer: Trisha Brown Performance Title: Carmen, Present Tense, Glacial Decoy,how long does the subject linger on the edge of the volume… keywords: postmodern dance, movement, suspense, calculation, negotiation, gravity, horizontality, space, theater, history, Robert Rauschenberg, Merce Cunningham, John Cage |
| De choreografie van het kijken Bespreking van Maaike Bleeker, 'The Locus of Looking' | Jeroen Peeters | TM | June 2004 | Choreographer: Maaike Bleeker Performance Title: The Locus of Looking keywords: visuality, looking, performance studies, dance studies, visual theory, criticism |
| | De dans gestreeld | Jeroen Peeters | Financieel-Economische Tijd | 07 June 2000 | Choreographer: Dominik Mentzos, William Forsythe Performance Title: Motion keywords: dance photography, semiotics |
| De danspassen van een nieuwe generatie Alice Chauchat en Maria Clara Villa-Lobos over dansfestival SUM/SOME of the parts | Jeroen Peeters | De Morgen | 27 February 2004 | Choreographer: Alice Chauchat, Maria Clara Villa Lobos Performance Title: Quotation marks me; M, An Average Piece keywords: education, conceptual dance, performance, PARTS, KS04, BEconcept |
| De exquise dood van een choreograaf
Choreograaf Vincent Dunoyer over de creatie van ‘Cadavre Exquis’ | Jeroen Peeters | Sarma | 12 October 2005 | Choreographer: Vincent Dunoyer Performance Title: Cadavre Exquis keywords: surrealism, composition, authorship, zen, conceptualism, material, transmission |
| De herhaling voorbij Programmatekst over 'Schäme dich' van Alexander Baervoets en Heike Langsdorf | Jeroen Peeters | Programme | September 2003 | Choreographer: Alexander Baervoets, Heike Langsdorf Performance Title: Schäme dich keywords: repetition, formalism, expressionism, gender, gravitation |
| De herhaling voorbij Over Schäme Dich van Alexander Baervoets en Heike Langsdorf | Jeroen Peeters | Programme | September 2003 | Choreographer: Heike Langsdorf, Alexander Baervoets Performance Title: Schäme dich keywords: |
| De Jerry's: Applaus In de marge van het KunstenFESTIVALdesArts | Jeroen Peeters | De Morgen | 17 May 2005 | Choreographer: Performance Title: keywords: applause |
| De Jerry's: Blinde vlekken In de marge van het KunstenFESTIVALdesArts | Jeroen Peeters | De Morgen | 11 May 2005 | Choreographer: Bruno Beltraõ Performance Title: H2-2005 keywords: blind spots, running backwards |
| De Jerry's: Korenbloemspray In de marge van het festival Klapstuk #12 | Jeroen Peeters | De Morgen | 26 October 2005 | Choreographer: Prue Lang, Nicole Peisl, Richard Siegal, Christian Kleine, Christian Rizzo Performance Title: The Kleine Episode keywords: conceptualism, virtuality, improvisation, perception |
| De Jerry's: Lastige vragen In de marge van het KunstenFESTIVALdesArts | Jeroen Peeters | De Morgen | 20 May 2005 | Choreographer: Jérôme Bel, Tang Fu Kuen, Pichte Klunchun Performance Title: Made in Thailand, The Jerry Bel Show keywords: global condition, production structures, postkolonialism, hierarchies of knowledge |
| De Jerry's: Omzwachtelde realiteit In de marge van het festival Klapstuk #12 | Jeroen Peeters | De Morgen | 25 October 2005 | Choreographer: Fin Novembre Performance Title: A l'oeil nu keywords: reality, film, media, transdisciplinary, visibility, discourse |
| De Jerry's: Sterren In de marge van het KunstenFESTIVALdesArts | Jeroen Peeters | Sarma | 09 May 2005 | Choreographer: Jérôme Bel, Sophie Rois, Caroline Peters Performance Title: The Jerry Bel Show, Hallo Hotel...! keywords: stars, talkshow |
| De Jerry's: Waarom? In de marge van het KunstenFESTIVALdesArts | Jeroen Peeters | De Morgen | 25 May 2005 | Choreographer: Grand Magasin Performance Title: 5e Forum Internationale du Cinéma d’Entreprise keywords: conceptual dance, language |
| De Jerry's: Zelf aan de slag In de marge van het KunstenFESTIVALdesArts | Jeroen Peeters | De Morgen | 27 May 2005 | Choreographer: Eva Meyer-Keller Performance Title: Good Hands keywords: do it yourself, bricolage |
| | De kijker vormt de inzet | Jeroen Peeters | Financieel-Economische Tijd | 28 November 2000 | Choreographer: David Hernandez, Florence Augendre, Alexander Baervoets, Katrien Van Aerschot Performance Title: innerSections, Love Letters/4B, Ruby Hotcore, Room 201 keywords: David Hernandez, innerSections, Love Letters/4B, Florence Augendre, Ruby Hotcore, Alexander Baervoets, Katrien Van Aerschot, Room 201, spectator, audience, archive, memory, Merce Cunningham |
| | De kunst van het vallen | Jeroen Peeters | Financieel-Economische Tijd | 27 September 2000 | Choreographer: Thomas Hauert, Sarah Ludi, Mark Lorimer, Mat Voorter, Samantha Van Wissen, David Zambrano Performance Title: Jetzt, Ballroom, Milky Way, Solo assisté keywords: improvisation, music, Thelonious Monk, gravity, colour |
| | De massa als magma | Jeroen Peeters | Financieel-Economische Tijd | 22 January 2000 | Choreographer: Mathilde Monnier Performance Title: Les lieux de là keywords: group, mass, juxtaposition, language, silence, sublime |
| De mogelijkheidszin van het lichaam Over Guido Eekhauts 'Op het lijf geschreven' | Jeroen Peeters | Oikos | February 2004 | Choreographer: Guido Eekhaut Performance Title: Op het lijf geschreven keywords: body, death, loneliness, technology, limits, philosophy |
| | De onmogelijke pas de deux van kijken en schrijven | Jeroen Peeters | Sarma | November 2002 | Choreographer: Performance Title: keywords: criticism, poetics, looking, writing, Jean-François Lyotard, description |
| | De scène tot vlees gezongen en geknuffeld | Jeroen Peeters | Financieel-Economische Tijd | 11 December 1999 | Choreographer: Thomas Hauert, Mark Lorimer, Sarah Ludi, Samantha van Wissen, Mat Voorter Performance Title: Pop-Up Songbook keywords: voice, improvisation, flesh, space, visible, Merleau-Ponty |
| De spraakverwarring van het vakmanschap
Rosas met nieuwe productie ‘Kassandra – speaking in twelve voices’ in Kaaitheater
| Jeroen Peeters | De Morgen | 17 March 2004 | Choreographer: Anne Teresa De Keersmaeker, Jolente De Keersmaker, Rosas Performance Title: Kassandra - speaking in twelve voices keywords: myth, text, speaking, silence, vision, construction, excess |
| | De textuur van het overbodige | Jeroen Peeters | Financieel-Economische Tijd | 27 January 2001 | Choreographer: Anabel Schellekens, Julia Sugranyes, Kosmas Kosmopoulos, Laura Lee Kamppila , Tamayo Okano, Alkyonis Performance Title: A void of keywords: space, memory, texture |
| De toeschouwer vastgelegd Claude Wampler met ‘Stable (Stupidity Project Part 10)’ in Kaaitheaterstudio’s | Jeroen Peeters | De Morgen | 15 March 2004 | Choreographer: Claude Wampler Performance Title: Stable (Stupidity Project Part 10) keywords: performance, audience |
| De wereld in 2D Patricia Portela en Kinkaleri op Antwerps festival Amperdans | Jeroen Peeters | De Morgen | 14 October 2004 | Choreographer: Patricia Portela, Kinkaleri Performance Title: Flatland, Otto keywords: representation, flatness, space, media, mediated reality, excess, repetition, death, lightness |
| De werkelijkheid een lichaam Programmatekst bij 'Beyond Mary and Joseph' van Lilia Mestre | Jeroen Peeters | Programme | 25 September 2003 | Choreographer: Lia Mestre Performance Title: Beyond Mary and Joseph keywords: body, family, religion, imagery, utopia, representation |
| Democratisering door cultuurparticipatie: utopie of werkelijkheid? Bespreking van Rik Pinxten, 'De artistieke samenleving' | Jeroen Peeters | Oikos | May 2004 | Choreographer: Rik Pinxten Performance Title: De artistieke samenleving keywords: social-artistic work, democracy, urbanism, gentrification, diversity, inclusion, culture, interculturalism |
| Denken in beweging Bespreking van Cyrille Offermans, 'Ver van huis' | Jeroen Peeters | Oikos | August 2004 | Choreographer: Cyrille Offermans Performance Title: Ver van huis keywords: criticism, modernity, metaphysics, postmodernism, culture |
| | Der ästhetische Imperativ | Jeroen Peeters | De Witte Raaf | July 2007 | Choreographer: Peter Sloterdijk Performance Title: Der ästhetische Imperativ keywords: aesthetics, criticism, narrativity, Peter Sloterdijk, book review, visibility, immunity, future, architecture |
| | De-regulation with the work of Kutlug Ataman | Jeroen Peeters | De Witte Raaf | May 2006 | Choreographer: Kutlug Ataman Performance Title: De-regulation, Küba keywords: video, documentary, modernity, differnce, identity, performativity, storytelling, Irit Rogoff, Hannah Arendt |
| Dermografismen Over ECB van Carlos Pez González
| Jeroen Peeters | Etcetera | June 2002 | Choreographer: Carlos Pez Gonzalez Performance Title: ECB keywords: skin, landscape, horizontality, writing, visuality, democracy |
| Dermographies On the solo ECB by Carlos Pez González | Jeroen Peeters | www.wpzimmer.be | April 2002 | Choreographer: Carlos Pez Gonzalez Performance Title: ECB keywords: skin, body, horizontality, vision, reading, surface, transformation |
| | deufert + plischke in 184 Wörtern stricken | Jeroen Peeters | Programme | 22 February 2006 | Choreographer: Kattrin Deufert, Thomas Plischke, Frankfurter Küche Performance Title: keywords: portrait, formulation, identity, melancholy |
| | Dialogue with Lilia Mestre on slow motion | Jeroen Peeters | Contact Quarterly | January 2006 | Choreographer: Lilia Mestre Performance Title: keywords: slow motion, perception |
| Dictatuur van de consensus Bespreking van Jan Blommaert, Eric Corijn, Marc Holthof en Dieter Lesage, 'Populisme' | Jeroen Peeters | Oikos | August 2004 | Choreographer: Jan Blommaert, Dieter Lesage, Eric Corijn, Marc Holthof Performance Title: Populisme keywords: populism, consensus, democracy, nation state, globalism, media |
| Do your encyclopaedia yourself Afterwords: Lynda Gaudreau and Cie De Brune, Document 2 | Jeroen Peeters | derStandard.at and ImPulsTanz.com | 30 July 2002 | Choreographer: Lynda Gaudreau, Cie De Brune Performance Title: Document 2 keywords: Afterwords, archive |
| Doordrongen van schoonheid Première van Marc Vanrunxts 'Unspeakable' in Kaaitheaterstudio's | Jeroen Peeters | De Morgen | 03 November 2003 | Choreographer: Marc Vanrunxt, Kitty Kortes Lynch Performance Title: Unspeakable keywords: beauty, maskerade, Morton Feldman, Samuel Becket, Neither, mysticism |
| | Drie furiën in de stad | Jeroen Peeters | Financieel-Economische Tijd | 26 April 2000 | Choreographer: Furiosas, Patricia Saive, Carmen Blanco Principal, Monika Klingler Performance Title: Ora O keywords: everydayness, cinematography, interdisciplinary, subconsciousness, Maxime Gorki |
| Duur verkochte troep Performance van Niels Radtke Klein in Kaaitheaterstudio's | Jeroen Peeters | De Morgen | 07 November 2003 | Choreographer: Niels Radtke Klein Performance Title: keywords: performance, power, face, logo, design |
| | Dwangmatig ronddolen | Jeroen Peeters | Financieel-Economische Tijd | 04 March 2000 | Choreographer: Anna Huber, Lin Yuan Shang Performance Title: L'autre et moi keywords: space, imaginary, identity, other |
| Dwarsheid en kwelling van een tempeldanseres
Koninklijk Ballet van Vlaanderen brengt ‘La Bayadère’ | Jeroen Peeters | De Morgen | 18 March 2004 | Choreographer: Anna-Mary Holmes, Marius Petipa, Koninklijk Ballet van Vlaanderen Performance Title: La Bayadère keywords: ballet, intoxication, repertory |
| | Dyonisos of Icarus? | Jeroen Peeters | Financieel-Economische Tijd | 05 January 2000 | Choreographer: Emio Greco, Pieter Scholten, Andy Deneys Performance Title: Extra Dry keywords: body, unison |
| Economies of architecture Afterwords: Anne Teresa de Keersmaeker and Rosas, '(but if a look should) April me' | Jeroen Peeters | derStandard.at and www.ImPulsTanz.com | 20 July 2002 | Choreographer: Anne Teresa De Keersmaeker and Rosas Performance Title: (but if a look should) April Me keywords: Afterwords, architecture, entropy, economy, horizontality |
| | Een al te fantasierijke verbrokkeling | Jeroen Peeters | Financieel-Economische Tijd | 18 December 1999 | Choreographer: Joanne Leighton Performance Title: WCBY (We can build you) keywords: architecture, choreography, discontinuity |
| | Een arm aangezet | Jeroen Peeters | Financieel-Economische Tijd | 13 December 2000 | Choreographer: Meg Stuart, Damaged Goods Performance Title: Highway 101 keywords: prosthesis, inside and outside, magazine, tunnel, ghost, body, borders, infinity, Myriam Van Imschoot, Rudi Laermans |
| Een bacchanaal voor Bach ‘Frans Poelstra, his dramaturg and Bach’ in Kaaitheaterstudio’s | Jeroen Peeters | De Morgen | 17 January 2005 | Choreographer: Frans Poelstra, Robert Steijn Performance Title: Frans Poelstra, his dramaturg and Bach keywords: naïve art, improvisation, irony |
| Een barok anachronisme
Thomas Hauert en Cie. ZOO met ‘Modify’ in Brussels Kaaitheater | Jeroen Peeters | De Morgen | 30 November 2004 | Choreographer: Thomas Hauert, ZOO Performance Title: Modify keywords: baroque, excess, spectacle, improvisation, intuition, naïve art |
| | Een bel gevuld met tijd | Jeroen Peeters | Financieel-Economische Tijd | 15 November 2000 | Choreographer: Vincent Dunoyer Performance Title: Etude #31, Vanity keywords: memory, absence, perception, music, Conlon Nancarrow, James Tenney |
| Een bevreemdend anachronisme
Merce Cunningham Dance Company in deSingel | Jeroen Peeters | De Morgen | 26 January 2005 | Choreographer: Merce Cunningham Performance Title: Suite for Five, Views on Stage, Pond Way, Fluid Canvas keywords: modernism, anachronism, history |
| | Een binnenkant geknutseld | Jeroen Peeters | Financieel-Economische Tijd | 21 April 2001 | Choreographer: Wim Vandekeybus, Ultima Vez Performance Title: Scratching the Inner Fields keywords: femininity, narrative, imagination, imagery, Peter Verhelst, Eavesdropper |
| Een broedplaats voor musici Musiclab: een improviserend platform | Jeroen Peeters | Jazz Halo | October 2002 | Choreographer: Performance Title: Musiclab, Sonic Somatic Library keywords: music, laboratory, Les Bains::Connective, research, failure, body, senses, Alex Waterman, Marie-Hélène Elleboudt |
| | Een choreografisch lichaam | Jeroen Peeters | Financieel-Economische Tijd | 31 January 2001 | Choreographer: Manuela Rastaldi Performance Title: TRA, Stanze #4 keywords: choreography, music, time, space, perception, Thierry De Mey |
| Een collage van herinneringen Retina Dance Company met 'Me:Mo' in CCBe | Jeroen Peeters | De Morgen | 19 November 1999 | Choreographer: Filip Van Huffel, retina dance company Performance Title: Me:Mo keywords: memory, space |
| | Een confrontatie met geschiedenis | Jeroen Peeters | Financieel-Economische Tijd | 01 December 1999 | Choreographer: Kosmas Kosmopoulos, Anabel Schellekens, Alkyonis Performance Title: Cyprus Frauenballett keywords: history, politics, expressionism, gender |
| | Een dansante stilte na de storm | Jeroen Peeters | Financieel-Economische Tijd | 23 October 1999 | Choreographer: Emio Greco, Bertha Bermudez Pascual, Walter Verdin, Brice Leroux, Sarah Ludi, Alain Platel Performance Title: Double Points, Bolero, Storm, Continuum, Mouchette keywords: Klapstuk |
| Een dansbare architectuur
Alexander Baervoets opent Klapstukseizoen met dansimprovisatie | Jeroen Peeters | Veto | 05 October 1998 | Choreographer: Alexander Baervoets Performance Title: Das wohltemperierte Klavier keywords: Bach, improvisation, fragment, ephemeral, pure dance, process |
| Een eerbetoon aan de verbeelding Choreograaf Marc Vanrunxt over zijn nieuwe solo ‘Unspeakable’ | Jeroen Peeters | De Morgen | 30 October 2003 | Choreographer: Marc Vanrunxt, Kitty Kortes Lynch Performance Title: Unspeakable, Last Pieces, Most Recent keywords: mysticism, Morton Feldman, Samuel Becket, Elsworth Kelly, imagination |
| | Een gedanst kleurboek | Jeroen Peeters | Financieel-Economische Tijd | 13 January 2001 | Choreographer: Anne Teresa De Keersmaeker, Rosas Performance Title: Rain keywords: Steve Reich, choreography, space, gender |
| | Een grotesk bestiarium | Jeroen Peeters | Financieel-Economische Tijd | 23 August 2000 | Choreographer: Patrick Bonté Performance Title: keywords: Trans Danse Europe 2000, borders, media, crossover, Patrick Bonté, Bellone Brigittines |
| Een hemel vol herfst Laurie Anderson met 'The End of the Moon' op Poesiefestival Berlin | Jeroen Peeters | Sarma | 24 June 2005 | Choreographer: Laurie Anderson Performance Title: The End of the Moon keywords: storytelling, America, grief, holes, language, beauty |
| Een huiselijke omgang met de wereld Internationaal dansfestival Klapstuk #11 in Leuven zit er op | Jeroen Peeters | De Morgen | 20 October 2003 | Choreographer: Cuqui Jerez, Amaia Urra, Edith Kaldor Performance Title: A Space Odyssey (2002), El eclipse de A., Or Press Escape keywords: Klapstuk, representation, media, television, living room, remote control, domesticity, gender, screen, object, KS04, revks04 |
| Een interessante mislukking Première Collect-if by Collect-if in Vooruit | Jeroen Peeters | De Morgen | 24 November 2003 | Choreographer: Varinia Canto Vila, Bojana Cvejic, Ugo Dehaes, Alix Eynaudi, Emil Hrvatin, Rebecca Murgi, Katarina Stegnar Performance Title: Collec-if by Collect-if keywords: collectivity, authorship, voice, process, consensus |
| | Een lichaam in nullen en enen | Jeroen Peeters | Financieel-Economische Tijd | 22 December 1999 | Choreographer: Performance Title: keywords: dance, body, technology, Nouvelles de danse, Danse et nouvelles technologies, Paul Virilio |
| | Een lichaam is twee | Jeroen Peeters | Financieel-Economische Tijd | 16 February 2000 | Choreographer: Charlotte Vanden Eynde, Sharon Zuckerman Performance Title: Benenbreken, Zij Ogen, Vrouwenvouwen keywords: PARTS, body, sculptural, gender, visual arts |
| Een multimediaal laboratorium Commerce te gast op Leuvense Artefactfestival | Jeroen Peeters | De Morgen | 16 February 2004 | Choreographer: Commerce, Nik Haffner, Thomas McManus, Angie Atmadjadja, Harout Simonian, Otmar Wagner Performance Title: Campfire, Procession, Second, Ecstacy in Atopia keywords: experiment, laboratorium, symposium, multimedia, interdisciplinary, theatre, technology, spectator |
| | Een nomadische schriftuur | Jeroen Peeters | Financieel-Economische Tijd | 04 December 1999 | Choreographer: Olga de Soto Performance Title: Anarborescenses, Par une main ou par le vent mais l’air est immobile keywords: rhizome, contemporary music, spectator, choreography, Kaija Saariaho, Salvatore Sciarrino |
| Een onmogelijke pas de deux Over kijken en schrijven in het tijdperk van de visuele cultuur | Jeroen Peeters | Boekman | October 2003 | Choreographer: Performance Title: keywords: dance & discourse, fantomen, KS04, criticism, visuality, Peter Sloterdijk, Jean-François Lyotard, choreography, Roland Barthes, ethics, politics, intoxication, looking, writing |
| | Een oorverdovende stilte | Jeroen Peeters | Financieel-Economische Tijd | 13 November 1999 | Choreographer: Boris Charmatz, Association Edna Performance Title: Con forts fleuve keywords: Jacques Lacan, repetition, ritualisation, body, voice, fragment, distance, sublime |
| | Een pandamonium voor Joyce | Jeroen Peeters | Financieel-Economische Tijd | 20 May 2000 | Choreographer: Jan Lauwers, Needcompany, Ballett Frankfurt Performance Title: DeaDDogsDon'tDance keywords: James Joyce, death, repetition, excess |
| Een pleidooi voor (terug) meer beweging in het kritisch kijken naar en denken over dans Open brief van Guy Cools aan Jeroen Peeters, en wederwoord | Guy Cools and Jeroen Peeters | Sarma | March 2004 | Choreographer: Jérôme Bel, William Forsythe, Anne Teresa de Keersmaeker, Alain Platel, Les Ballets c de la B Performance Title: Once keywords: dance, conceptualism, criticism, diversity, stilness, ks04, Klapstuk 2003, BEconcept, revks04 |
| Een pleidooi voor ontvankelijkheid Over Frank Vande Veires 'Neem en eet, dit is je lichaam' | Jeroen Peeters | Oikos | June 2006 | Choreographer: Frank Vande Veire Performance Title: Neem en eet, dit is je lichaam keywords: criticism, modernity, media, information, susceptibility, art, experience, representation |
| Een pleidooi voor stilstand Jaaroverzicht: werd er nog gedanst in 2003? | Jeroen Peeters | De Morgen | 08 January 2004 | Choreographer: Jérôme Bel, Jennifer Lacey, Nadia Lauro, Meg Stuart, Damaged Goods, Random Scream, Lilia Mestre, Davis Freeman, Vincent Dunoyer, Deep Blue, Heine Avdal, Yukiko Shinozaki, Christoph De Boeck Performance Title: This is an epic, Visitors Only, Fading Fast, Solos for others, Closer keywords: criticism, anti-dance, stillness, perception, Dominique Frétard, Mirjam van der Linden, Klapstuk, KS04, BEconcept, FRconcept, fantomen, anti-dans |
| Een plek voor rouwarbeid Een gesprek met de kunstenaarstweeling deufert + plischke over hun directory-trilogie | Jeroen Peeters | Programme | 08 February 2006 | Choreographer: Kattrin Deufert, Thomas Plischke, Frankfurter Kueche Performance Title: Directory 1: Europe Endless, Directory 2: Songs of love and war, Directory 3: Tattoo keywords: memory, mourning, genealogy, myth, storytelling, Artaud, anatomy, gender, formulation, writing, knitting |
| Een plek voor rouwarbeid
Kunstenaarstweeling deufert + plischke over hun ‘directory’ trilogie | Jeroen Peeters | Sarma | 09 November 2005 | Choreographer: Kattrin Deufert, Thomas Plischke, Frankfurter Kueche Performance Title: Directory 1: Europe Endless, Directory 2: Songs of love and war keywords: twin, melancholy, gender, seksuality, myths, memory, mourning, memorial |
| | Een roadmmovie van het zelf | Jeroen Peeters | Financieel-Economische Tijd | 15 March 2000 | Choreographer: Meg Stuart, Damaged Goods Performance Title: Highway 101 keywords: identity, space, media, private and public, location |
| Een rondleiding door het lichaam Ivana Müller over de creatie van ‘Under my skin’
| Jeroen Peeters | De Morgen | 28 April 2005 | Choreographer: Ivana Müller Performance Title: Under my skin keywords: lecture demonstration, guided tour, body metaphors, knowledge, impure art |
| Een scheet in een fles Pina Bausch met ‘Masurca Fogo’ in De Munt | Jeroen Peeters | De Morgen | 29 September 2003 | Choreographer: Pina Bausch Performance Title: Masurca Fogo keywords: expressionism, television |
| Een stoel, een vlokje Sarah Chase danst twee solo's bij Klapstuk | Jeroen Peeters | Veto | 15 February 1999 | Choreographer: Sarah Chase, Benoit Lachambre, Alexander Baervoets Performance Title: Walden, Muzz keywords: memory, stories, autobiography |
| Eén zwaluw maakt al behoorlijk wat gespreksstof Theatermaker Benjamin Verdonck bouwt een nest in de Brusselse Anspachlaan | Jeroen Peeters | De Morgen | 06 May 2004 | Choreographer: Benjamin Verdonck Performance Title: hirondelle/dooi vogeltje/the great swallow keywords: public space, urban intervention, stories, performance |
| | Elegante gedachten | Jeroen Peeters | Financieel-Economische Tijd | 10 May 2000 | Choreographer: Lynda Gaudreau Performance Title: Document 1, Document 2 keywords: space, body, laboratory, everydayness |
| Eloquent sprakeloos Over taal in het recente werk van Vera Mantero | Jeroen Peeters | Etcetera | February 2003 | Choreographer: Vera Mantero, Sabina Holzer Performance Title: Perhaps she could dance first and think afterwards, Thought, poetry and the body in action, Creation 2002 keywords: language, description, body, speechlessness, silence, posthuman, criticism, dramaturgy, workshop |
| Eloquently speechless On language in the recent work of Vera Mantero | Jeroen Peeters | 3T. Tidsskrift for teori og teater | July 2004 | Choreographer: Vera Mantero Performance Title: Thought, poetry and the body in action, Perhaps she could dance first and think afterwards, Creation 2002 keywords: language, silence, writing, description, dramaturgy, body, voice |
| | Energiepakketjes en iconen | Jeroen Peeters | Financieel-Economische Tijd | 01 March 2000 | Choreographer: Marc Vanrunxt Performance Title: Performer, Performance keywords: theatricality, grotesque, parody, shamanism, performance |
| | Enkele notities bij het proces van Station 2, Brussels in de Kaaitheaterstudio’s, geschreven tijdens de voorstellingen op 20-21-22 mei 2004 | Jeroen Peeters | Stationen | 22 May 2004 | Choreographer: Thomas Lehmen, Rudi Laermans Performance Title: Station 2, Brussels keywords: observation, democracy, theatre, criticism, sociology, systems theory |
| Entranced in multitasking Eszter Salamon presented 'Dance for Nothing' at Tanz im August 2010 in Berlin | Jeroen Peeters | corpus | 12 September 2010 | Choreographer: Eszter Salamon Performance Title: Dance for Nothing keywords: John Cage, symbolical order, score, task, multitasking, trance, language |
| Er is geen ontsnappen aan vreemde blikken Programmatekst bij het solowerk van Meg Stuart en Damaged Goods | Jeroen Peeters | Programme | May 2002 | Choreographer: Meg Stuart, Rachid Ouramdane Performance Title: Highway 101, I'm All Yours, soft wear, private room keywords: body, media, gaze, looking, identity |
| Er is te veel tijd Dubbelspel voert dubbelspel ten tonele | Jeroen Peeters | Veto | 08 March 1999 | Choreographer: Anne Teresa De Keersmaeker, Rosas, Tg STAN, Frank Vercruyssen, Cynthia Loemij Performance Title: Quartett keywords: Anne Teresa De Keersmaeker, Rosas, Tg STAN, Quartett, Frank Vercruyssen, Cynthia Loemij, Heiner Müller, terrorism, holiness |
| | Er zal beweging zijn | Jeroen Peeters | Financieel-Economische Tijd | 15 November 2000 | Choreographer: Andy Deneys Performance Title: 9 Floorscenes keywords: theatricality, expressionism, camp, quality, gravity, exigence |
| | Esthetiek en politiek | Jeroen Peeters | Oikos | March 2008 | Choreographer: Jacques Rancière, Jean-Luc Nancy Performance Title: keywords: book review, philosophy, aesthetics, politics, emancipation, equality, education, voluntarism, language, narrativity, Jacques Rancière, Jean-Luc Nancy |
| Everything makes sense Thomas Lehmen’s Schrottplatz at Favoriten 2010 festival in Dortmund | Jeroen Peeters | corpus | 01 December 2010 | Choreographer: Thomas Lehmen Performance Title: Schrottplatz keywords: object, Bildung, knowledge, ordering, noise, humanism |
| Facing empathy’s secret routes Antonia Baehr with For Faces at the NEXT festival in Eurometropole Lille-Kortrijk-Tournai | Jeroen Peeters | corpus | 16 December 2010 | Choreographer: Antonia Baehr Performance Title: For Faces keywords: face, score, music, empathy, mirror neurons |
| | Fantomen van de danskritiek | Jeroen Peeters | TM | May 2003 | Choreographer: Performance Title: keywords: fantomen, dance & discourse, criticism, dankritiek, KS04, modernism, ballet, formalism, measuring, dance history, Eva van Schaik, Ine Rietstap |
| | Fantomen van de Nederlandse danskritiek – the sequel | Jeroen Peeters | TM | December 2003 | Choreographer: Vera Mantero, Boris Charmatz, Steve Paxton, Isabelle Launay, WIlliam Forsythe Performance Title: Entretenir keywords: fantomen, dance & discourse, KS04, criticism, Maaike Bleeker, Eva van Schaik, Isabella Lanz, Michel Foucault, memory, canon, practice, anachronism, academism, modernism, context |
| | FEEL THE YOUNG – JONGE BELGISCHE MEDIAKUNSTENAARS | Jeroen Peeters | De Witte Raaf | July 2004 | Choreographer: Anouk De Clercq, Joris Cool, Eavesdropper, Bar_Taku, Sofiesaufage, Boutique Vizique, Lawrence Malstaf, Wim Catrysse Performance Title: Kernwasser Wunderland, RondHangen, Dustbunnies, Shaft, Absent Minded keywords: media, technology, tactility, senses, visual arts |
| | Feelings are facts. Yvonne Rainer | Jeroen Peeters | De Witte Raaf | November 2006 | Choreographer: Yvonne Rainer Performance Title: Feelings are facts keywords: postmodern dance, minimalism, performance, gender, politics, biography, Merce Cunningham, Robert Morris, Robert Rauschenberg, discourse |
| | Figuren van amnesie | Jeroen Peeters | Financieel-Economische Tijd | 31 January 2001 | Choreographer: Jonathan Burrows, Anne Teresa De Keersmaeker, Performance Title: keywords: improvisation |
| Fijngevoelige lichaamslandschappen Neurowetenschappen en hedendaagse dans | Jeroen Peeters | Sarma | February 2004 | Choreographer: Benoît Lachambre, William Forsythe Performance Title: keywords: neurology, Antonio Damasio, NLP, body landscape, body image, proprioception, emotion, feeling |
| | Filmische resonanties | Jeroen Peeters | Financieel-Economische Tijd | 15 March 2000 | Choreographer: Johanne Saunier, Jim Clayburgh Performance Title: Chorée, Final Scene, Sans la voix des maîtres keywords: dance, film, media, resonance, space, Aka Moon |
| | Flaneren op beelddrempels | Jeroen Peeters | Financieel-Economische Tijd | 11 October 2000 | Choreographer: Pierre Droulers, Michel François, Ann Veronica Janssens Performance Title: MA keywords: perception, time, space, image, flaneur, city, architecture |
| Fostering ambivalence to disguise dogma? On the critical writing of artists in the project Afterwords, ImPulsTanz Vienna 2002 | Jeroen Peeters | Sarma | 11 August 2002 | Choreographer: Steve Paxton, Boris Charmatz, Wendy Houstoun, Jérôme Bel, Jeanluc Ducourt, Jan Ritsema, Barbara Kraus Performance Title: keywords: Afterwords, criticism, poetics, politics, writing |
| | Fragmentatie doet zichzelf de das om | Jeroen Peeters | Financieel-Economische Tijd | 16 December 2000 | Choreographer: Meg Stuart, Damaged Goods Performance Title: Highway 101 keywords: media, identity, gaze, looking, space |
| Fragmenten van een ongezien huis Bij Visitors Only van Meg Stuart en Damaged Goods
| Jeroen Peeters | Pigment | 2003 | Choreographer: Meg Stuart, Damaged Goods Performance Title: Visitors Only keywords: house, home, perception, memory, fake |
| Gebalde heterogeniteit Over Annamira Jochims Meg Stuart. Bild in Bewegung und Choreographie | Jeroen Peeters | Etcetera | April 2009 | Choreographer: Meg Stuart, Annamira Jochim Performance Title: Meg Stuart. Bild in Bewegung. ALIBI, HIghway 101, Visitors Only, Splayed Mind Out, Crash Landing keywords: book review, image, knowledge |
| | Gebaren van culturele differentie | Jeroen Peeters | Financieel-Economische Tijd | 15 October 2000 | Choreographer: Sidi Larbi Cherkaoui, Roel Dieltiens, Les ballets C de la B Performance Title: Rien de rien keywords: cultural difference, synchronicity, semiotics, politics |
| | Gebeurt er? | Jeroen Peeters | Financieel-Economische Tijd | 04 October 2000 | Choreographer: Merce Cunningham Performance Title: Event, BIPED keywords: avant-garde, event, computer, chance procedure |
| Gegijzeld door blikken
Choreografe Simone Aughterlony met ‘Public Property’ op Tanz im August | Jeroen Peeters | De Morgen | 26 August 2004 | Choreographer: Simone Aughterlony Performance Title: Public Property keywords: public, private, gaze, projection, identity |
| | Geketend aan machtsdromen | Jeroen Peeters | Financieel-Economische Tijd | 23 February 2000 | Choreographer: Marc Bogaerts, Koninklijk ballet van Vlaanderen Performance Title: The Emperor's Dream keywords: ballet, improvisation, chance procedures, power |
| Geluiden uit het post-vul-maar-in-tijdperk Festival Les Antipodes in Brest brengt mengvormen van performance, installatie en geluidsontwerp | Jeroen Peeters | De Morgen | 05 March 2004 | Choreographer: Gilles Touyard, Christian Rizzo, Claudia Triozzi, Boris Charmatz, Dimitri Chamblas Performance Title: Le corps du délit n° 0, Autant vouloir le bleu du ciel et m’en aller sur un âne, Stand keywords: French dance and performance, installation, sound design, Antipodes, auditive |
| | Geraspte vingertjes kunnen mooi zijn | Jeroen Peeters | Financieel-Economische Tijd | 16 September 2000 | Choreographer: Charlotte Vanden Eynde, Ugo Dehaes, Performance Title: Lijfstof keywords: body, prosthesis, sublimation, sculptural, PARTS |
| | Gespleten schoonheid | Jeroen Peeters | Sarma | 01 June 2003 | Choreographer: FK, Kattrin Deufert, Thomas Plischke, Yasuo Akai Performance Title: InExHaustible keywords: beauty, schizofrenia |
| Get Real! Perceptie, simulatie, inscriptie – Superamas over representatiestrategieën in het raakvlak van kunst en wetenschap | Jeroen Peeters | Janus | December 2002 | Choreographer: Superamas Performance Title: BIG 1, Game Boys, Billy Billy, Body Builders keywords: representation, simulation, inscription, laboratory, reality tv, architecture, gender, image, digital reality, learning, cybernetics |
| Get Real! Perception, simulation, inscription – The Superamas and representational strategies | Jeroen Peeters | Janus | December 2002 | Choreographer: Superamas Performance Title: BIG 1, Game Boys, Billy Billy, Body Builders keywords: representation, simulation, inscription, laboratory, reality tv, architecture, gender, image, digital reality, learning, cybernetics |
| Get Real! Perception, simulation, inscription – Les Superamas et les stratégies de représentation | Jeroen Peeters | Janus | December 2002 | Choreographer: Superamas Performance Title: BIG 1, Billy Billy, Game Boys, Body Builders keywords: representation, simulation, inscription, laboratory, reality tv, architecture, gender, image, digital reality, learning, cybernetics |
| Gevangen in visioenen en media William Forsythe en Ballett Frankfurt in deSingel | Jeroen Peeters | De Morgen | 17 May 2004 | Choreographer: William Forsythe, Dana Caspersen, Anthony Rizzi, Ballett Frankfurt Performance Title: Kammer/Kammer keywords: theatre, dance, film, media, intimacy, senses |
| | Goochelen met het lichaam | Jeroen Peeters | Financieel-Economische Tijd | 06 October 1999 | Choreographer: Thomas McManus, Angélique Willkie, Rik Verstrepen, Nik Haffner Performance Title: The way of the weed, Pause, Pretty Sticks keywords: neoclassicism, disappearance, music, tactility, William Forsythe |
| Hallucinerende lichamen
Raimund Hoghe creëert ‘Sacre - The Rite of Spring’ in Kaaitheater
| Jeroen Peeters | De Morgen | 27 January 2004 | Choreographer: Raimund Hoghe, Lorenzo de Brabandere Performance Title: Sacre -- The Rite of Spring keywords: Stravinsky, sexuality, youth, intoxication, hallucination, horizontality, ritual, music, listening, Le Sacre du printemps |
| Handen warmen rond een laptop Commerce te gast op het Leuvense festival voor kunst en nieuwe media Artefact
| Jeroen Peeters | Sarma | 10 February 2004 | Choreographer: Commerce, Nik Haffner, Astrid Sommer, Angie Atmadjaja Performance Title: Campfire keywords: multimedia, technology, interdisciplinary, environment, spectator, archive |
| Hedendaagse kritische lichamen Gelezen: Laurence Louppe, Poétique de la danse contemporaine - la suite | Jeroen Peeters | TM | February 2008 | Choreographer: Laurence Louppe Performance Title: La suite keywords: dance, discourse, history, genealogy, criticism, body, productivity, Laurence Louppe, book review |
| | Het barokke schoonschrift van Amanda Miller | Jeroen Peeters | Financieel-Economische Tijd | 23 December 2000 | Choreographer: Amanda Miller, Ballett Freiburg Pretty Ugly Performance Title: Die Kunst der Fuge, Four for Nothing keywords: Bach, beauty, writing, neoclassicism |
| | Het betere pornowerk: brutaal, obsceen en betekenisloos | Jeroen Peeters | Financieel-Economische Tijd | 02 June 2000 | Choreographer: Jennifer Lacey, Nadia Lauro, Zeena Parkins, Erin Cornell Performance Title: $Shot keywords: obscene, porn, body |
| Het humanisme uitzweten Over Erwin Jans' 'Interculturele intoxicaties' | Jeroen Peeters | Oikos | June 2006 | Choreographer: Erwin Jans Performance Title: Interculturele intoxicaties keywords: interculturalism, difference, art, criticism, cultural studies, postkolonialism, racism, relativism, genealogy, discourse, culture, humanism |
| Het kantelpunt van bewegende lichamen Trisha Brown met gemengd programma in De Munt | Jeroen Peeters | De Morgen | 07 April 2004 | Choreographer: Trisha Brown Performance Title: Set and reset, Groove and countermove, Geometry of quiet keywords: postmodern dance, formalism, group choreography |
| Het kijken vormt de inzet Aantekeningen over perceptie in hedendaagse dans | Jeroen Peeters | Etcetera | December 2000 | Choreographer: Merce Cunningham, William Forsythe, Vincent Dunoyer, Nik Haffner, Thomas McManus, Joanne Leighton, Rosemary Butcher, THomas Hauert, Erika Zueneli, David Hernandez, Salva Sanchis Performance Title: BIPED, 7 to 10 passages, Vanity, Pause, The Siege of Namur, Scan, Jetzt, Noon, Filter, Innersections, GAP keywords: perception, looking, spectatorship, memory, resonance, projection |
| Het lichaam als cartogram Martin Nachbar en Jochen Roller met 'Mnemonic Nonstop' op Klapstuk #12 in Leuven | Jeroen Peeters | De Morgen | 04 November 2005 | Choreographer: Martin Nachbar, Jochen Roller Performance Title: Mnemonic Nonstop keywords: mapping, cartography, lecture demonstration, storytelling, experience |
| Het lichaam een theater Ivana Müller creëert 'Under My Skin' in Monty | Jeroen Peeters | Sarma | 04 May 2005 | Choreographer: Ivana Müller, Bill Aitchison Performance Title: Under My Skin keywords: body metaphors, theatre, storytelling, guided tour, |
| Het licht? Kijk eens in de koelkast Mathilde Monnier met 'Déroutes' in deSingel | Jeroen Peeters | De Morgen | 14 October 2003 | Choreographer: Mathilde Monnier Performance Title: Déroutes keywords: modern dance, pedestrian movement, schizofrenia, proximity, visuality |
| Het ongeziene kijken Omtrent visualiteit, blinde vlekken en blindheid in werk van Boris Charmatz en Deep Blue | Jeroen Peeters | Etcetera | June 2004 | Choreographer: Boris Charmatz, deepblue, Heine R. Avdal, Yukiko Shinozaki, Christoph De Boeck Performance Title: héâtre-élévision, La Chaise, Danses à ne pas voir, Closer keywords: blindness, sensoriness, perception, visuality, experiential knowledge, propositional knowledge |
| Het performatieve object
Over transformatie en samenwerking in het performancewerk van Nadia Schnock | Jeroen Peeters | Etcetera | June 2003 | Choreographer: Nadia Schnock, Tom Plischke, Catherine Evrard Performance Title: re(SORT), Sculpture réconfortante ou l’équivalent tendre du vibromasseur, The performative object, Bureau de réconfort, Projet/La peau, Echange de paroles, Oh mon héros keywords: performance, sculpture, installation, collaboration, transformation, B-Visible, Nicholas Bourriaud |
| | Het schaakspel geschaakt | Jeroen Peeters | Financieel-Economische Tijd | 14 February 2001 | Choreographer: Steve Paxton Performance Title: keywords: improvisation, continuity, research |
| Het schimmenspel van de tijd Debuutchoreografie van Brice Leroux en Sarah Ludi bij Klapstuk | Jeroen Peeters | Veto | 25 January 1999 | Choreographer: Brice Leroux, Sarah Ludi Performance Title: Continuum keywords: perception, time, trance, limitation, Steve Reich, body, sculptural |
| | Het sneeuwt in Oostenrijk | Jeroen Peeters | Financieel-Economische Tijd | 22 July 2000 | Choreographer: Meg Stuart, André Lepecki, Bruce Mau, Thierry De Mey, Manuela Rastaldi, Jeanluc Ducourt, Brice Leroux, Sarah Chase Performance Title: Highway 101, Stress, TRA strati, I/O solo, Gravitations, Small room keywords: body politics, media, technology, modernity, noise, Wiener Festwochen, Sommerszene Salzburg, Gabriele Brandstetter |
| Het toeschouwersimperium Notities bij Empire (Art & Politics) van Superamas | Jeroen Peeters | Etcetera | September 2008 | Choreographer: Superamas Performance Title: Empire (Art & Politics) keywords: spectatorship, witnessing, camera, re-enactment, history, globalisation, desire, embodiment, Sloterdijk |
| Het transparante lichaam voorbij ‘Closer’ van Deep Blue beleeft première in Vooruit | Jeroen Peeters | De Morgen | 12 March 2004 | Choreographer: Heine R. Avdal, Yukiko Shinozaki, Christoph De Boeck, Dee Blue Performance Title: Closer keywords: environment, sound design, technology, senses, energy, transparency, body |
| Het transparante lichaam
Over de tentoonstelling 'Körperwelten' en weersprekende figuren van obsceniteit | Jeroen Peeters | Oikos | August 2002 | Choreographer: Gunther von Hagens Performance Title: Koerperwelten keywords: anatomy, death, obscenity, transparency, body, art, medical science, Georges Bataille |
| Het vuur van gedeelde gevoelens Choreografe Pina Bausch over werk en wereld | Jeroen Peeters | De Morgen | 25 September 2003 | Choreographer: Pina Bausch, Tanztheater Wuppertal Performance Title: Masurca Fogo keywords: expressionism, everydayness, emotion, universal language |
| | Het zit 'm in de krabbels | Jeroen Peeters | Financieel-Economische Tijd | 20 September 2000 | Choreographer: Jan Lauwers, Needcompany, Ballett Frankfurt Performance Title: DeaDDogsDon'tDance keywords: James Joyce, death, theatre, cultural policy, Bert Anciaux |
| | Heterogeneous Dramaturgies | Jeroen Peeters | Maska | September 2010 | Choreographer: deufert and plischke, Meg Stuart, Boris Charmatz, Martin Nachbar Performance Title: directory, Entretenir, Repeater, It's not funny keywords: dramaturgy, practice, material, conceptual landscape, collaboration |
| Histoires et rituels de gaspillage
Festival international de danse Klapstuk #11 à Louvain
| Jeroen Peeters | De Morgen | 09 October 2003 | Choreographer: Forced Entertainment, Claudia Triozzi, Bruno Beltrão, Eva Meyer-Keller Performance Title: And On The Thousand Night, Park, Telesquat, Death is Certain keywords: Klapstuk, storytelling, excess, rituals, objects, information, communication, ks04, revks04 |
| | Hoe een huiskamer beweegt | Jeroen Peeters | Financieel-Economische Tijd | 08 March 2000 | Choreographer: Alexander Baervoets, David Hernandez, Sarah Chase, Nathalie McDonnell Performance Title: The Mapping of Canada, 19:56, Walden, Blauw keywords: choreography, pure dance, modernism, process, time |
| | Hoe een roos plukken? | Jeroen Peeters | Financieel-Economische Tijd | 14 March 2001 | Choreographer: Trisha Brown Performance Title: Luci Mie Traditrici keywords: opera, Salvatore Sciarrino, gesture, narrative, De Munt, La Monnaie |
| Hoe te luisteren naar het hier en nu? Metamorfoses van het reflexieve lichaam Programmatekst bij Beweeging 8, 'Still Life - Beleefde stilte' | Jeroen Peeters | Programme | October 2000 | Choreographer: Dominique Pollet, Cathie Caraker, Rob List, Kris Maria-Karel, Emilie De Vlam, Angela Köhnlein, Désirée Delauney, Hisako Horikawa Performance Title: Beweeging 8 keywords: body, susceptibility, time, passivity, butoh, Beweeging 8 |
| Hoe zichzelf een houding geven, hoe zichzelf uitspreken?
Notities bij Philipp Gehmachers walk + talk in Tanzquartier Wien | Jeroen Peeters | Etcetera | June 2008 | Choreographer: Philipp Gehmacher, Meg Stuart, Oleg Soulimenko, Antonia Baehr, Jeremy Wade, Boris Charmatz, Sioned Huws, Rémy Héritier, Anne Juren, Milli Bitterli, Alexander Schellow Performance Title: walk + talk keywords: dance, discourse, movement vocabulary, lecture demonstration, expressionism, gesture, score, exposure, vulnerability, language, space, wtb2011 |
| | How to Do Things with Art | Jeroen Peeters | De Witte Raaf | January 2008 | Choreographer: Dorothea von Hantelmann, James Coleman, Daniel Buren, Tino Sehgal, Jeff Koons Performance Title: How to do things with art keywords: book review, performativity, visual art, institutional critique, Austin, Butler |
| How to listen to the here and now? Metamorphoses of the reflexive body Programme text on Beweeging 8, 'Still life - Beleefde stilte' | Jeroen Peeters | Programme | October 2000 | Choreographer: Dominique Pollet, Hisako Horikawa, Désirée Delauney, Cathie Caraker, Rob List, Kris Maria-Karel, Emilie De Vlam, Angela Köhnlein, Performance Title: Beweeging 8 keywords: body, susceptibility, passivity, butoh, time |
| | Hyperportret van Meg Stuart | Jeroen Peeters | Schauspielhaus Zürich | May 2003 | Choreographer: Meg Stuart, Damaged Goods Performance Title: No one is watching, The terminal spectactor, ALIBI, Highway 101, soft wear, I'm all yours, Visitors Only keywords: interview, anecdote, everdayness, presence, omnipresence, morphing, identity, self-observation, hyperrealism |
| Iconography of the obscene – obscene iconographies Afterwords: Michael Laub and Remote Control, Pigg in Hell | Jeroen Peeters | derStandard.at and ImPulsTanz.com | 02 August 2002 | Choreographer: Michael Laub, Remote Control Performance Title: Pigg in hell keywords: Afterwords, iconography, baroque, obscene, Astrid Endruweit |
| In de tijd balanceren Indische choreografe Padmini Chettur met ‘Solo’ op Kunstenfestival | Jeroen Peeters | De Morgen | 04 May 2004 | Choreographer: Padmini Chettur Performance Title: Solo keywords: Bharatanatyam, Indian dance, modernity, posture, gesture, discipline, time |
| | In een roes van confetti en serpentines | Jeroen Peeters | Financieel-Economische Tijd | 27 November 1999 | Choreographer: Dominique Porte Performance Title: Saute d'humeur, 7 gouttes et des poussières, Déviation keywords: solo, scenography, light, sculptural, fragment, music |
| | Introduction Unfolding the critical | Jeroen Peeters | Sarma | 23 April 2006 | Choreographer: Performance Title: keywords: criticism, UTC06 |
| | Is er dans na de apocalyps? | Jeroen Peeters | Financieel-Economische Tijd | 30 October 1999 | Choreographer: José Montalvo, Dominique Hervieu, François Brice, Benoit Lachambre, Sarah Chase, Dana Caspersen Performance Title: Le jardin io io ito ito, Whitemare, Délire défait, Muzz, Lamont Earth Observatory, Work for three keywords: Klapstuk, choreography, KS04, revks04 |
| Is Horst Tappert wel Derrick? Martin Nachbar en Mart Kangro/Thomas Lehmen op ‘Tanz made in Berlin’ | Jeroen Peeters | De Morgen | 21 December 2004 | Choreographer: Mart Kangro, Thomas Lehmen, Martin Nachbar Performance Title: Out of Functions, Verdeckte Ermittlung keywords: Tanz made in Berlin, conceptualism, trace, memory, mental reconstruction, identity |
| Ist Horst Tappert wirklich Derrick?
Promofestival gibt zum zweiten Mal ein gutes Bild von dem, was Berlin bewegt/was sich in Berlin bewegt
| Jeroen Peeters | De Morgen | 21 December 2004 | Choreographer: Martin Nachbar, Thomas Lehmen, Mart Kangro, Manuel Pelmus, Krõõt Juurak Performance Title: Verdeckte Ermittlung, Out of functions keywords: conceptualism, memory, identity, Berlin, lecture demonstration |
| 'It's only a stupid dance' Jonathan Burrows, A Choreographer's Handbook | Jeroen Peeters | Etcetera | December 2010 | Choreographer: Jonathan Burrows, Matteo Fargion Performance Title: A Choreographer's Handbook, Cheap Lecture keywords: book review, choreography, practice, scores, ignorance, discourse |
| It's only a stupid dance Jonathan Burrows, A Choreographer's Handbook | Jeroen Peeters | Etcetera | December 2010 | Choreographer: Jonathan Burrows, Matteo Fargion Performance Title: A Choreographer's Handbook, Cheap Lecture keywords: book review, choreography, practice, scores, ignorance, discourse |
| | Je ziet niet wat je ziet | Jeroen Peeters | Financieel-Economische Tijd | 29 April 2000 | Choreographer: Jérôme Bel, Xavier Le Roy, Stuart Sherman, Grand Magasin Performance Title: Xavier Le Roy, Le Meilleur Moment keywords: difference, identity, Marcel Duchamp, absence, performance |
| Jenseits der Berührung
Philipp Gehmacher mit "Incubator" im Berliner Hebbel am Ufer | Jeroen Peeters | De Morgen | 09 April 2005 | Choreographer: Philipp Gehmacher, David Subal, Sabina Holzer, Clara Cornil Performance Title: Incubator keywords: encounter, touch, contact, instant composition, melancholy, abstraction |
| Jongens, wat een troep!
Alexander Baervoets lanceert ‘(no) Copyright’ met ‘Carrots from Winnipeg’ in Monty | Jeroen Peeters | De Morgen | 03 January 2005 | Choreographer: Alexander Baervoets Performance Title: (no) Copyright, Carrots from Winnipeg keywords: production, research, waste, failure |
| | k’su’porta: de taal is kapot | Jeroen Peeters | Humus 3. Kaaitheater 1977-1998-2007 | September 2007 | Choreographer: Vera Mantero, O rumo do fumo Performance Title: k'su'porta keywords: language, communication, surrealism, apocalypse |
| Kan dans vandaag anders dan struikelen en vallen?
Jaaroverzicht: André Lepecki creëert een politiek perspectief op de huidige dans | Jeroen Peeters | De Morgen | 02 January 2006 | Choreographer: Philipp Gehmacher, Kattrin Deufert, Thomas Plischke, Bruno Beltrao, Jérôme Bel, Jonathan Burrows, Matteo Fargion, André Lepecki Performance Title: Incubator, Directory 2: Songs of love and war, The Quiet Dance, Véronique Doisneau, H2-2005 keywords: mobility, immobility, stillness, ground, stumbling, kolonialism, neoliberalism, modernity, André Lepecki |
| | 'Kijk, in het leven zit het zo' | Jeroen Peeters | Financieel-Economische Tijd | 17 May 2000 | Choreographer: Anne Teresa De Keersmaeker, Jolente De Keersmaeker, Rosas, Tg STAN, Aka Moon, Gerardjan Rijnders Performance Title: In Real Time keywords: interdisciplinary, movement, text, theatre, dance, music |
| | Kijken kan pijn doen | Jeroen Peeters | Financieel-Economische Tijd | 25 November 2000 | Choreographer: Alexander Baervoets, David Hernandez, Brice Leroux, Katrien van Aerschot Performance Title: Schauet doch keywords: choreography, improvisation, perception, absence |
| Kijken met vingers en oren Benoît Lachambre en Boris Charmatz tonen ‘Danses à ne pas voir’ | Jeroen Peeters | De Morgen | 05 September 2003 | Choreographer: Boris Charmatz, Benoît Lachambre Performance Title: héâtre-élévision, Danses à ne pas voir, Tracer keywords: blindness, vision |
| Kijken, weifelen en beter kijken
Vincent Dunoyer creëert ‘Cadavre Exquis’ in CC Maasmechelen | Jeroen Peeters | Sarma | 14 October 2005 | Choreographer: Vincent Dunoyer Performance Title: Cadavre Exquis keywords: authorship, perception, memory, portrait |
| | Klassieke, hybride en tragische lichamen | Jeroen Peeters | De Morgen | 05 August 2003 | Choreographer: Mette Ingvartsen, Alice Chauchat, Vera Knolle, Saskia Hölbling, Milli Bitterli, Erna Omarsdottir Performance Title: Manual Focus, A number of classics in the age of performance, exposition corps, Silence Sucks, IBM 1401 - a user’s manual keywords: body |
| | Knitting deufert + plischke in 184 words | Jeroen Peeters | Programme | 22 February 2006 | Choreographer: Kattrin Deufert, Thomas Plischke, Frankfurter Küche Performance Title: keywords: portrait, formulation, melancholy, identity |
| | Kruisjes zetten voor de dans | Jeroen Peeters | Financieel-Economische Tijd | 28 July 2000 | Choreographer: Maria-Clara Villa-Lobos, Sonya Biernath, Akram Khan, Katalina Mella Araneda, Sato Endo, Cruz Mata, Gabriella Iacono, Magda Reiter, Katarzyna Chmielewska Performance Title: XL, Trace and Interference, Fix, Rush, Surfaces cleverly implied a slightly lucid exterior, A Distance between M and D, /Enter/, All the Apropos, Casa 26 keywords: X-group, education, Brussels |
| | Kunst als publieke zaak | Jeroen Peeters | A+ | June 2009 | Choreographer: Performance Title: Kunst als publieke zaak keywords: public space, Chantal Mouffe, Peter Sloterdijk, book review |
| Kunst heeft het niet onder de markt Jochen Roller met ‘Perform Performing’ in Hallen van Schaarbeek | Jeroen Peeters | De Morgen | 01 October 2004 | Choreographer: Jochen Roller Performance Title: Perform Performing keywords: performance, performativity, lecture demonstration, market |
| | Kunst im Sehverlust | Jeroen Peeters | De Witte Raaf | March 2006 | Choreographer: Volkmar Mühleis Performance Title: Kunst im Sehverlust keywords: book review, blindness, vision, visual impairment, touch, tactility, phenomenology, art history |
| La réalité, un corps Texte de programme sur 'Beyond Mary and Joseph' de Lilia Mestre | Jeroen Peeters | Programme | 25 September 2003 | Choreographer: Lilia Mestre, Random Scream Performance Title: Beyond Mary and Joseph keywords: body, iconography, passion, culture |
| Laboratorium voor experimentele zintuiglijkheid
Christelle Fillod en Yukiko Shinozaki creëren ‘Inner Horizon’ in de Kaaitheaterstudio’s | Jeroen Peeters | De Morgen | 04 May 2005 | Choreographer: Deep Blue, Yukiko Shinozaki, Christelle Fillod Performance Title: Inner Horizon keywords: sensoriness, technology, blue screen, mimicry, identity, consciousness |
| | Langs de grenzen van de verbeelding | Jeroen Peeters | TM | November 2007 | Choreographer: Alexandra Baudelot, Julie Perrin, Jennifer Lacey, Nadia Lauro, Odile Duboc Performance Title: $Shot, Mhmmmm, Chateaux of France, This is an Epic, Projet de la matière keywords: book review, imagination, body as social construct, politics, community, matter, process |
| | Les Assistantes - Jennfer Lacey/Nadia Lauro | Jeroen Peeters | Etcetera | December 2008 | Choreographer: Jennifer Lacey, Nadia Lauro Performance Title: Les Assistantes, Mhmmmm keywords: community, idiosyncrasy, production, secret |
| | Leven en denken in het onvertrouwde | Jeroen Peeters | Oikos | February 2005 | Choreographer: Peter Sloterdijk Performance Title: Sferen, Sphären keywords: Peter Sloterdijk, Sjoerd van Tuinen, spheres, intimacy, posthumanism, symbolical space, subjectivity, autonomy |
| | 'Lichaam, geef me een teken!' | Jeroen Peeters | Financieel-Economische Tijd | 19 August 2000 | Choreographer: Philippe Découflé, Astrid Endruweit, Michel Laub, Saira Blanche, Andrej Adrianov, Oleg Soulimenko, Adriana Boriello, Ines Sanguinetti, Gustavo Lesgart, Lynda Gaudreau, Johannes Odenthal Performance Title: Shazam!, Pigg in hell, Thirst, Animarrovescio, Hondo, Document 1 keywords: body, theatricality, dance, meaning, obscenity, spectator, Tanzfest Berlin |
| Lichamen als filter van verhalen
Europese première van Akram Khans ‘MA’in Vooruit | Jeroen Peeters | De Morgen | 15 June 2004 | Choreographer: Akram Khan Performance Title: MA keywords: kathak, storytelling |
| Lichamen doordrongen van terreur Aliocha en Boris Van der Avoort creëren ‘Affetti’ op KunstenFESTIVALdesArts | Jeroen Peeters | Sarma | 03 May 2004 | Choreographer: Aliocha Van der Avoort, Boris Van der Avoort Performance Title: Lens, Affetti keywords: video, opera, Busoni, Cavalli, violence, representation, body, baroque |
| | Lichamen in de strijd | Jeroen Peeters | Financieel-Economische Tijd | 06 December 2000 | Choreographer: Raimund Hoghe, Jérôme Bel, Lilia Mestre, Davis Freeman, Robert Pacitti, Sarah Chase, Vincent Dunoyer Performance Title: Meinwärts, Another Dream, Körper in den Kampf werfen, Lettere Amorose, Nom donné par l'auteur, Untitle me, This is not a love song, Small Room, Vanity keywords: body, body politics, Pasolini |
| Licht als de vluchtige tijd
Gesprek met choreograaf Sidi Larbi Cherkaoui over ‘Tempus Fugit’
| Jeroen Peeters | De Morgen | 15 September 2004 | Choreographer: Sidi Larba Cherkaoui Performance Title: Tempus Fugit keywords: identity, culture, multiculturalism, time, evolution |
| Lichtbreking door het lichaam Nieuw werk van Alexander Baervoets en Katrien Van Aerschot op Spectra van de dans | Jeroen Peeters | De Morgen | 08 October 2003 | Choreographer: Alexander Baervoets, Alexis Destoop, Heike Langsdorf, Katrien Van Aerschot Performance Title: Ecce, Schäme dich, Op begane grond keywords: choreography, light, repetition, television, gender, video, camera, body, formalism, expressionism |
| Lichte gedachte-experimenten Ivana Müller met ‘How heavy are my thoughts’ in STUK | Jeroen Peeters | De Morgen | 26 November 2004 | Choreographer: Ivana Müller, Bill AItchison Performance Title: How heavy are my thoughts keywords: performance, lecture demonstration, knowledge, discourse, storytelling, metaphor |
| Lichtheid van de nomadische verbeelding
Project ‘Connexive #1: Vera Mantero’ in Vooruit loopt op zijn eind
| Jeroen Peeters | De Morgen | 02 February 2004 | Choreographer: Vera Mantero, Steve Paxton, Lisa Nelson, Pedro Pinto Performance Title: Olympia, One mysterious thing, said e.e. cummings, Two go, Lecture on Walking keywords: network, rhizome, landscape, walking, pedestrian movement, lightness, imagination, horizontality, proximity |
| Light Thought Experiments Ivana Müller presents 'How heavy are my thoughts' in STUK | Jeroen Peeters | De Morgen | 26 November 2004 | Choreographer: Ivana Müller Performance Title: How heavy are my thoughts keywords: performance, lecture demonstration, knowledge, discourse, storytelling, metaphor |
| | Lilia Mestre - (G)hosts | Jeroen Peeters | Etcetera | September 2008 | Choreographer: Lilia Mestre Performance Title: (G)hosts keywords: ghosts, listening, radio play, Sloterdijk |
| | Live. Art and Performance | Jeroen Peeters | De Witte Raaf | November 2005 | Choreographer: Adrian Heathfield, Marina Abramovic, Hayley Newman Performance Title: Connotations keywords: performance, live, documentation |
| | Living together on stage | Jeroen Peeters | herbst. Theorie zur Praxis | September 2007 | Choreographer: Yvonne Rainer, Xavier Le Roy, Vera Mantero, Philipp Gehmacher, Kattrin Deufert, Thomas Plischke Performance Title: Feelings are facts, Project, Until the moment when God is destroyed by the extreme exercise of beauty, Incubator, Directory 3: Tattoo, reportable portraits keywords: collaboration, social, representation, politics |
| | Living together on stage (once more) | Jeroen Peeters | Tanzheft | November 2009 | Choreographer: Vera Mantero, Eszter Salamon, Christine De Smedt, Jennifer Lacey, Nadia Lauro, Superamas, Meg Stuart Performance Title: Until the moment when god is destroyed by the extreme exercise of beauty, Transformers, Les assistantes, Empire (Art & Politcis), All Together Now keywords: social, collaboration, choreography, representation |
| Lof van de hybridisering Bespreking van Koen De Munter en Rik Pinxten, 'De culturele eeuw' | Jeroen Peeters | Oikos | September 2006 | Choreographer: Koen De Munter, Rik Pinxten Performance Title: De culturele eeuw keywords: antropology, hybridity, diversity, creolisation, globalisation, liberalism, culture, imagination, learning |
| Long live Beethoven! Afterwords: Cie Heddy Maalem, Black Spring | Jeroen Peeters | derStandard.at and ImPulsTanz.com | 21 July 2002 | Choreographer: Heddy Maalem Performance Title: Black Spring keywords: Afterwords, exotism, colonialsm |
| Looking back? Afterwords: Anne Teresa De Keersmaeker and Rosas, 'Gala - Soirée répertoire' | Jeroen Peeters | derStandard.at and www.ImPulsTanz.com | 18 July 2002 | Choreographer: Anne Teresa de Keersmaeker and Rosas Performance Title: Gala - Soirée répertoire keywords: Afterwords, archive, gender, age |
| Luisteren naar herinneringen
Frankfurter Kueche creëert ‘directory 2: songs of love and war’ op Westend05 in Leipzig | Jeroen Peeters | Sarma | 09 November 2005 | Choreographer: Kattrin Deufert, Thomas Plischke, Frankfurter Kueche Performance Title: directory 2: songs of love and war keywords: myth, memory, gender, twin, melancholy, silence |
| | Luisteren naar het hier en nu | Jeroen Peeters | Financieel-Economische Tijd | 05 October 2000 | Choreographer: Rob List, Dominique Pollet Performance Title: Coup de vent, Natura Morta, Folly keywords: perception, phenomenology, time, space, body |
| | Macht en wellust in een kijkkast | Jeroen Peeters | Financieel-Economische Tijd | 18 November 2000 | Choreographer: Needcompany, Grace Ellen Barkey Performance Title: Few Things keywords: Tijen Lawton, Béla Bártok, power, drift, theatricality, parody |
| Mama, waarom praten wij? Choreograaf Jérôme Bel over de creatie van ‘The Show Must Go On 2’ | Jeroen Peeters | De Morgen | 16 October 2004 | Choreographer: Jérôme Bel Performance Title: The Show Must Go On 2 keywords: language, theatre, conceptualism, medium, meaning, Marcel Duchamp, Samuel Beckett, Jean-Luc Godard, Dominique Frétard, FRconcept, ks04 |
| | Massaal veel | Jeroen Peeters | Financieel-Economische Tijd | 06 September 2000 | Choreographer: Christine De Smedt, Les Ballets C de la B Performance Title: 9 x 9 keywords: mass, Busby Berkeley, individual, game, installation, performance, amateur, audience |
| | Materials, dialogues and observations on proximity, walking about Connexive #1: Vera Mantero | Jeroen Peeters | Sarma | February 2004 | Choreographer: Vera Mantero, Benoît Lachambre, Lisa Nelson, Lilia Mestre, Antonia Livingstone, Steve Paxton, Myriam Van Imschoot, Barbara Raes, Astrid Endruweit, Meg Stuart, Nadia Lauro Performance Title: keywords: proximity, space, criticism, sound, lightness, slow motion, objects, body, communication, energy, senses, intoxication, discourse, reflection, collaboration, generosity, environment, inclusion, incarnation, lightness |
| | Meer dan schriftuur | Jeroen Peeters | Financieel-Economische Tijd | 10 January 2001 | Choreographer: Anne Teresa De Keersmaeker, Rosas Performance Title: Rain, In Real Time keywords: Steve Reich, writing, memory, absence |
| | Meg Stuart – Ein Hyperporträt | Jeroen Peeters | Schauspielhaus Zürich | 15 May 2003 | Choreographer: Meg Stuart, Damaged Goods Performance Title: No One is Watching, soft wear, I'm All Yours, ALIBI, Visitors Only, Highway 101 keywords: spectator, interview, identity, watching, observing, witnessing, theatricality, body, image, hyperrealism, morphing, memory |
| | Meg Stuart in einem Bild und zehn Fragen... | Jeroen Peeters | Programme | 22 February 2006 | Choreographer: Meg Stuart Performance Title: keywords: portrait, self-observation |
| | Meg Stuart in one image and ten questions | Jeroen Peeters | Programme | 22 February 2006 | Choreographer: Meg Stuart Performance Title: keywords: portrait, self-observation |
| | Meg Stuart/Damaged Goods, Highway 101: we bevinden ons altijd in een performance | Jeroen Peeters | Humus 3. Kaaitheater 1977-1998-2007 | September 2007 | Choreographer: Meg Stuart, Damaged Goods, Rachid Ouramdane Performance Title: Highway 101, Private Room keywords: space, media, surveillance, observation, architecture |
| | Meg Stuarts appetite: levende sculptuur | Jeroen Peeters | Humus 3. Kaaitheater 1977-1998-2007 | September 2007 | Choreographer: Meg Stuart, Damaged Goods Performance Title: appetite keywords: sculpture, fourth wall, participation |
| Melancholische schoonheid
Frankfurter Küche met ‘As if (it was beautiful)’ in deSingel | Jeroen Peeters | De Morgen | 27 November 2004 | Choreographer: Frankfurter Küche, Kattrin Deufert, Thomas Plischke Performance Title: As if (it was beautiful), eporue (l'anti-toi), AESS, Fleur (anemone) keywords: beauty, melancholia, gender, face, myths, identity, (re)formulation, composition, mirror, Ghérasim Luca |
| Met een slag en een stoot Toonmoment van PEP, de dansopleiding van Klapstuk | Jeroen Peeters | Veto | 10 May 1999 | Choreographer: Brice Leroux, Michiel Reynaert, David Hernandez Performance Title: keywords: dance education, PARTS, PEP, improvisation, patterns |
| | Metapolis 972: een saaie utopie | Jeroen Peeters | Financieel-Economische Tijd | 11 March 2000 | Choreographer: Frédéric Flamand, Zaha Hadid, Charleroi/Danses Performance Title: Metapolis, City Project 972 keywords: city, urbanism, immateriality, entropy, architecture, private, public |
| Mist met kans op een oorlog The Forsythe Company met 'Three Atmospheric Studies op het KunstenFESTIVALdesArts | Jeroen Peeters | De Morgen | 24 May 2005 | Choreographer: William Forsythe Performance Title: Three Atmospheric Studies keywords: language, discourse, light, sound, media, politics |
| Modieuze maskerades wp Zimmer organiseert Bal Masqué in Antwerpse ModeNatie | Jeroen Peeters | De Morgen | 19 April 2004 | Choreographer: Random Scream, Lilia Mestre, Davis Freeman, Etienne Bideau-Rey, Gisèle Vienne Performance Title: Tranen Veinzen, Every-body is, Bal Masqué keywords: masks, make-up, identity, transformation |
| | Moeilijk werk? | Jeroen Peeters | Etcetera | June 2006 | Choreographer: Performance Title: keywords: difficult work, criticism |
| | Mooi en monsterlijk | Jeroen Peeters | Financieel-Economische Tijd | 26 April 2000 | Choreographer: Francesca Lattuada Performance Title: La donna è mobile keywords: antropology, surrealism, procession, tragedy, tales, story, mythology |
| | Mozaiek en maskerade | Jeroen Peeters | Financieel-Economische Tijd | 22 March 2000 | Choreographer: Annamirl van der Pluijm Performance Title: The Other Me, Augenblick keywords: maskerade, identity, melancholy |
| Na het orgasme de dans? Mette Ingvartsen met 'to come' op Leuvens Klapstukfestival | Jeroen Peeters | De Morgen | 31 October 2005 | Choreographer: Mette Ingvartsen Performance Title: to come keywords: desire, lust, imagination, gender, theatricality |
| | Naar de inclusieve stad? | Jeroen Peeters | Oikos | December 2007 | Choreographer: Performance Title: keywords: book review, blindness, visual impairment, urbanism, historic city, sensorialism, disability studies |
| Naar een monumentale openbaarheid Over 'Lof der zichtbaarheid' van Rudi Visker | Jeroen Peeters | Oikos | June 2008 | Choreographer: Rudi Visker Performance Title: Los der zichtbaarheid keywords: philosophy, public space, sign, symbol, monument, subjectivity, Hannah Arendt |
| | Naar een nieuwe naïviteit | Jeroen Peeters | Financieel-Economische Tijd | 01 April 2000 | Choreographer: Paola Bartoletti, Dick Van der Harst Performance Title: Ad Vi La’ Va Pu La’ keywords: folk dance, modernism, exoticism, barrel organ |
| Niet voor één gat te vangen Dans in Vlaanderen anno 2003 | Jeroen Peeters | De Morgen | 19 September 2003 | Choreographer: Performance Title: keywords: dance in Flanders, multidisciplinarity, body, representation, sense, research |
| | Nieuwe maakbaarheid? | Jeroen Peeters | Oikos.be/schrijversgemeenschap | 23 February 2009 | Choreographer: René Boomkens, Gijs van Oenen, Wouter Vanstiphout Performance Title: Maakbaarheid keywords: social engineering, urbanism, interpassivity, civil society, public space, book review |
| Oefeningen in blind kijken Jan Ritsema en Sandy Williams creëren 'BLINDSPOT' in Kaaitheaterstudio's
| Jeroen Peeters | De Morgen | 25 March 2005 | Choreographer: Jan Ritsema, Sandy Williams Performance Title: BLINDSPOT keywords: blindness, transparency, horizontality, self-observation |
| Of het nu eindelijk begint? Collectief C&H met ‘Prélude A, a Vorspiel’ in Nadine | Jeroen Peeters | De Morgen | 02 January 2004 | Choreographer: C&H, Heike Langsdorf, Christophe Meierhans, Christoph Ragg Performance Title: Prélude A, a Vorspiel keywords: performnce, situation, announcement, information, spectator, experience |
| Of teenkaas lekker is? ‘Map me’ van Charlotte Vanden Eynde in Vooruit | Jeroen Peeters | De Morgen | 10 December 2003 | Choreographer: Charlotte Vanden Eynde, Kurt Vandendriessche Performance Title: Map Me keywords: performance, body, video, intimacy |
| | Of the Presence of the Body | Jeroen Peeters | De Witte Raaf | March 2005 | Choreographer: André Lepecki Performance Title: Of the Presence of the Body keywords: dance studies, performance studies, politics, epistemology |
| Om wraak roepen Creatie ‘Hopefully someone will carry out great vengeance on me’ van Hooman Sharifi en Impure Company in Kaaitheaterstudio’s | Jeroen Peeters | De Morgen | 02 June 2004 | Choreographer: Hooman Sharifi, Impure Company Performance Title: Hopefully someone will carry out great vengeance on me keywords: radicalism, politics, speaking |
| | Omzwervingen en aantekeningen van een bezoeker | Jeroen Peeters | Programme | 30 April 2003 | Choreographer: Meg Stuart, Damaged Goods Performance Title: Visitors Only keywords: architecture, fake, memory, perception, ghosts, working process |
| Omzwervingen van een dansende filosofe Choreografe Vera Mantero over het project Connexive #1 in Vooruit | Jeroen Peeters | De Morgen | 17 January 2004 | Choreographer: Vera Mantero, Steve Paxton Performance Title: Perhaps she could dance first and thinks afterwards, Olympia, One mystirous thing, said E.E. Cummings, Lecture on walking keywords: collaboration, improvisation, thinking, space, matter, body, language, philosophy, poetry, voice, singing, Caetano Veloso, André Lepecki, Steve Paxton, João César Monteiro, E.E. Cummings, Dominique Fourcade, Connexive #1 |
| On the edge, over the hedge Afterwords: Ko Muromushi, [Edge 2] | Jeroen Peeters | derStandard.at and ImPulsTanz.com | 03 August 2002 | Choreographer: Ko Murobushi Performance Title: [Edge 2] keywords: Afterwords, memory, randomness, Vera Mantera |
| | Onder de sterrenhemel | Jeroen Peeters | Financieel-Economische Tijd | 26 April 2000 | Choreographer: Wim Vandekeybus Performance Title: Inasmuch as life is borrowed keywords: life, death, destiny, blood, breath, text, Marc Ribot |
| Onder zeil op de maat van Purcell Koen Augustijnen en Les Ballets C de la B brengen ‘Bâche’ in Vooruit | Jeroen Peeters | De Morgen | 19 March 2004 | Choreographer: Koen Augustijnen, Guy Van Nueten, Steve Dugardin, Les Balltes C de la B Performance Title: bâche keywords: Purcell, gender, vulnerability, circus, streetdance |
| One for the monkeys Afterwords: Hans Van den Broeck & Les Ballets C de la B, Lac DeS Singes | Jeroen Peeters | derStandard.at and ImPulsTanz.com | 23 July 2002 | Choreographer: Hans Van den Broeck, Les Ballets C de la B Performance Title: Lac deS Singes keywords: Afterwords, intelligibility |
| Ongemakkelijk lichaamswerk
Parcours ‘BODYWORKs’ in Vooruit en Museum Dr. Guislain
| Jeroen Peeters | De Morgen | 04 May 2004 | Choreographer: Julie Nioche, Laure Delamotte-Legrand, Mette Edvardsen, Manuela Agnesini, Maria Donata D'Urso Performance Title: X, XX, Posture #2, Stills, Beauty, O Pezzo 0 (Due) keywords: performance, installation, body image, body culture, visceral, posture |
| | Ongenaakbaar maakbaar | Jeroen Peeters | Financieel-Economische Tijd | 27 October 1999 | Choreographer: Moti Roti, Jérôme Bel, Forced Entertainment, Noa Bustamente, Franko B Performance Title: keywords: Beweeging 5, Catherine Ugwu, Lois Keidan, body, gender, identity, live art, performance, media, Moti Roti, Jérôme Bel, Forced Entertainment, Noa Bustamente, Franko B |
| Ongeziene performances Meg Stuart en Damaged Goods met 'Visitors Only' in Kaaitheater | Jeroen Peeters | De Morgen | 12 September 2003 | Choreographer: Meg Stuart, Damaged Goods Performance Title: Visitors Only, The terminal spectactor, soft wear, I'm All Yours, No One is Watching keywords: perception, identity, transformation, possession |
| | Onuitgesproken bewegingen | Jeroen Peeters | Financieel-Economische Tijd | 17 January 2001 | Choreographer: Riina Saastamoinen Performance Title: Nearby keywords: language, perception, automatic writing, sight, space, darkness |
| Onwankelbaar beschavingsoptimisme? Over Mark Heirmans 'Beschavingen botsen niet' | Jeroen Peeters | Oikos | March 2007 | Choreographer: Mark Heirman Performance Title: Beschavingen botsen niet keywords: civilisation, religion, culture, liberalism, |
| Op drift in Zagreb Martin Nachbar en Jochen Roller choreograferen een andere kijk op steden
| Jeroen Peeters | De Morgen | 27 October 2005 | Choreographer: Martin Nachbar, Jochen Roller Performance Title: Mnemonic Nonstop, Dérive keywords: situationism, dérive, city, urbanism, mapping, documentation |
| Op zoek naar ballet dat bij onze tijd aanknoopt
Kathryn Bennetts en Jan Nuyts worden nieuwe artistieke leiding Koninklijk Ballet van Vlaanderen
| Jeroen Peeters | De Morgen | 13 January 2004 | Choreographer: Kathryn Bennets, Jan Nuyts, Robert Denvers, WIlliam Forsythe, Jan Fabre Performance Title: Het Zwanenmeer, Swan Lake, In the Middle Somewhat Elevated keywords: ballet, repertory, pedagogy |
| | Op zoek naar identiteit | Jeroen Peeters | Financieel-Economische Tijd | 10 November 1999 | Choreographer: Randi De Vlieghe, fabuleus Performance Title: Baken keywords: identity, youth, dance education |
| | Oppervlakkige kleurentooi voor het lichaam | Jeroen Peeters | Financieel-Economische Tijd | 24 March 2001 | Choreographer: Thierry Smits Performance Title: Richard Of York Gave Battle in Vain keywords: body politics, kitsch, androgynity, colour |
| | Other matters: Jeroen Peeters in conversation with Benoît Lachambre | Jeroen Peeters, Benoît Lachambre | Sarma | 23 March 2005 | Choreographer: Benoît Lachambre Performance Title: Forgeries, love and other matters keywords: choreography, body |
| Où le spectateur s’aveugle sur son point aveugle
Texte de programme à propos de la chorégraphie Blind d’Alexander Baervoets | Jeroen Peeters | Programme | 29 April 2003 | Choreographer: Alexander Baervoets, Andrew L. Harwood, Lin Snelling Performance Title: Blind keywords: choreography, improvisation, composition, space, time, perception, visuality, blindness, spectator |
| | Pathetiek in zwart-wit met ruis | Jeroen Peeters | Financieel-Economische Tijd | 29 January 2000 | Choreographer: Juan Carlos Garcia, Lanonima Imperial Performance Title: Transfiguracions, Alçada, La Nit Transfigurada keywords: Arnold Schönberg, Verklärte Nacht |
| Perception in Action Diary of the project by Toronto Improv Group, Lisa Nelson and Paul Deschanel Movement Research Group
| Jeroen Peeters | www.pauldeschanel.be | July 2004 | Choreographer: Lisa Nelson, Toronto Improv Group, Paul Deschanel Movement Research Group, Susanna Hood, Rebecca Todd, Claudia Wittmann, Alexander Baervoets, Margit Galanter, Heike Langsdorf, Karen Nelson, Lisa Nelson, Alva Noe, Jeroen Peeters, Tanya Williams Performance Title: Perception in action, Tuning score keywords: perception, blindness, observation, tuning score, neurology, emotion, feeling, research |
| | Pérégrinations et réflexions d'un visiteur | Jeroen Peeters | Programme | 30 April 2003 | Choreographer: Meg Stuart, Damaged Goods Performance Title: Visitors Only keywords: archtitecture, space, memory, perception, ghosts, working process |
| | Performance als 'tussen' | Jeroen Peeters | Etcetera | June 2003 | Choreographer: Performance Title: keywords: performance, theatre, theatricality, visual arts, Michael Fried |
| Performing A School. The Bocal Project Boris Charmatz in dialogue with Jeroen Peeters | Jeroen Peeters | Contact Quarterly | January 2007 | Choreographer: Boris Charmatz Performance Title: Bocal keywords: education, training, Steve Paxton, Merce Cunningham, prediction, books, exercises |
| Performing the instantaneous, displacing criticism On the poetics and politics of my critical writing in the project Afterwords, ImPulsTanz Vienna 2002 | Jeroen Peeters | Sarma | 06 August 2002 | Choreographer: Performance Title: keywords: Afterwords, criticism, Austria, poetics, politics, writing |
| Perhaps he could write first and think afterwards? Afterwords: Vera Mantero, Perhaps she could dance first and think afterwards; One mysterious thing, said e. e. cummings; Olympia | Jeroen Peeters | derStandard.at and ImPulsTanz.com | 05 August 2002 | Choreographer: Vera Mantero Performance Title: Perhaps she could dance first and think afterwards; One mysterious thing, said e. e. cummings; Olympia keywords: Afterwords, writing, language |
| Places of allowance: untwining mind and body in writing, gestures and speech Notes to Vera Mantero’s workshop 'Thought, poetry and the body in action' at ImPulsTanz Vienna 2002 | Jeroen Peeters | Sarma | August 2002 | Choreographer: Vera Mantero Performance Title: Thought, poetry and the body in action keywords: gesture, speech, writing, workshop |
| | Proef eens een labyrint | Jeroen Peeters | Financieel-Economische Tijd | 20 October 1999 | Choreographer: Enrique Vargas Performance Title: Oraculos keywords: senses, experience, visuality, olfactory, Klapstuk |
| | Programmatekst Blind | Jeroen Peeters | Programme | March 2003 | Choreographer: Alexander Baervoets Performance Title: Blind keywords: Alexander Baervoets |
| | Programmatekst Dieper | Jeroen Peeters | Programme | March 2003 | Choreographer: Marc Vanrunxt, Anne-Mie Van Kerckhoven Performance Title: Dieper keywords: |
| | Programme Text Blind | Jeroen Peeters | Programme | March 2003 | Choreographer: Alexander Baervoets Performance Title: Blind keywords: Alexander Baervoets, Blind |
| | Proposals back to Vera, Benoît and Meg | Jeroen Peeters | Programme | 02 February 2004 | Choreographer: Vera Mantero, Benoît Lachambre, Meg Stuart, Carlos Pez Gonzalez, Antonija Livingstone, Pierre Rubio, Isabelle Schad, Lilia Mestre, Jeroen Peeters, Frans Poelstra, Myriam Van Imschoot, Astrid Endruweit, Sabina Holzer Performance Title: Proposals back to Vera, Benoît and Meg keywords: workshop, Connexive #1 |
| Re: patterns, memory, thought A dialogue with Martin Nachbar | Jeroen Peeters | Formen künstlerischer Zusammenarbeit | December 2010 | Choreographer: Martin Nachbar, Jonathan Burrows Performance Title: Repeater, A choreographer's handbook keywords: choreography, collaboration, dramaturgy, perception, memory, wtb2011 |
| Ready to dive? A diagnostic aphorism on 'Body, Images, History... and Tourism' by Superamas | Jeroen Peeters | Programme | January 2004 | Choreographer: Superamas Performance Title: Body, Images, History... and Tourism keywords: |
| Reality, a Body Programma text on Lilia Mestre's 'Beyond Mary and Joseph' | Jeroen Peeters | Programme | 25 September 2003 | Choreographer: Lilia Mestre, Random Scream Performance Title: Beyond Mary and Joseph keywords: body, culture, iconography, passion |
| Replacing the Monstrous Notes on transformation and fiction in the margin of the rehearsals and preparations for REPLACEMENT by Meg Stuart/Damaged Goods
| Jeroen Peeters | Programme | 11 January 2006 | Choreographer: Meg Stuart, Damaged Goods Performance Title: Replacement keywords: monster, monstrosity, violence, visibility, fiction, transformation, science, history, modernity |
| Requiem à l'envers Jazz en danscultuur 1: Over drum&bass en de dood van de jazz | Jeroen Peeters | Jazz'Halo | September 2000 | Choreographer: Performance Title: keywords: dance, jazz, improvisation, sampling, death, repetition, J. Bernlef, Hans Dulfer, Squarepusher, Amon Tobin, St Germain, Buscemi |
| Resistance, ignorance, curiosity, stupidity On Jonathan Burrows' A Choreographer's Handbook | Jeroen Peeters | corpus | 04 November 2010 | Choreographer: Jonathan Burrows, Matteo Fargion Performance Title: A Choreographer's Handbook, Cheap Lecture keywords: book review, choreography, handbook, scores, discourse, method, knowledge, transmission, ignorance |
| Restless Portraits On deufert + plischke's reportable portraits | Jeroen Peeters | Dance Theatre Journal | October 2008 | Choreographer: Kattrin Deufert, Thomas Plischke Performance Title: reportable portraits keywords: choreography, writing, portrait, Jean-Luc Nancy, Fernando Pessoa, community, gaze, gesture |
| | Retinale resonanties | Jeroen Peeters | Financieel-Economische Tijd | 10 June 2000 | Choreographer: Salva Sanchis, Isabelle De Keyser, Arne Lievens Performance Title: GAP keywords: time, memory, perception, light |
| Reverse ghost busting – prick up your ears! Lilia Mestre premiers ‘(g)hosts’ at Budafest in Kortrijk
| Jeroen Peeters | corpus | 29 November 2007 | Choreographer: Lilia Mestre, Michel Yang Performance Title: (g)hosts keywords: ghosts, sound dramaturgy, radio play, channeling, histrionics, myth |
| Rhythm/repetition/pattern Afterwords: Mia Lawrence, Under the light, observing… | Jeroen Peeters | derStandard.at and ImPulsTanz.com | 22 July 2002 | Choreographer: Mia Lawrence Performance Title: Under the light, observing keywords: Afterwords, repetition, digital |
| Rommel in het landschap van de ziel Meg Stuart, Benoît Lachambre en Hahn Rowe met 'Forgeries, Love and Other Matters' in Schauspielhaus Zürich | Jeroen Peeters | De Morgen | 03 June 2004 | Choreographer: Meg Stuart, Benoît Lachambre, Hahn Rowe, Damaged Goods, Par b.l.eux Performance Title: Forgeries, Love and Other Matters keywords: landscape, organic, synthetical, sense perception, emo culture, trash, excess, recycling, merging |
| Rosas duikt in Griekse mythe Anne Teresa en Jolente De Keersmaeker over ‘Kassandra – speaking in twelve voices’ | Jeroen Peeters | De Morgen | 11 March 2004 | Choreographer: Anne Teresa De Keersmaeker, Jolente De Keersmaeker, Rosas Performance Title: Kassansdra - Speaking in twelve voices keywords: story, myth, tragedy, text, movement, politics, speaking |
| | RosasXX | Jeroen Peeters | De Witte Raaf | 15 November 2002 | Choreographer: Anne Teresa De Keersmaeker, Rosas Performance Title: RosasXX keywords: dance, visual arts, romanticism, exhibition, documentation |
| Rubbing up against the social
On Do Animals Cry by Meg Stuart and Damaged Goods
| Jeroen Peeters | Programme | May 2010 | Choreographer: Meg STuart, Damaged Goods Performance Title: Do animals cry keywords: social choregraphy, gesture, family, rubbing |
| Running backward in advance of oneself
Bruno Beltrão and Grupo de Rua premiere H3 at Brussels’ KunstenFESTIVALdesArts
| Jeroen Peeters | corpus | 21 May 2008 | Choreographer: Bruno Beltrão, Grupo de Rua Performance Title: H3 keywords: hip-hop, language, gesture, irony, running backward, subjectivation |
| Rusteloze portretten Over 'reportable portraits' van deufert + plischke | Jeroen Peeters | Etcetera | February 2008 | Choreographer: Kattrin Deufert, Thomas Plischke, Frankfurter Kueche Performance Title: reportable portraits, directory: tattoo keywords: choreography, writing, portrait, social, solitary, Jean-Luc Nancy |
| Sandro Botticelli’s contrappasso
About the unpleasant purification of visuality on the threshold of a new era
| Jeroen Peeters | Highway 101 - The Journal | December 2000 | Choreographer: Sandro Botticelli, Dante Alighieri Performance Title: keywords: ghosts, visuality, looking, renaissance, horizontality, Sandro Botticelli, Dante Alighieri |
| Sandro Botticelli's contrappasso Over de onprettige loutering van de visualiteit op de drempel van een nieuw tijdperk | Jeroen Peeters | Highway 101 - The Journal | December 2000 | Choreographer: Sandro Botticelli, Dante Alighieri Performance Title: keywords: ghosts, visuality, horizontality, looking, renaissance, Dante, Botticelli |
| | Sarma: het archief als discursieve werkplaats | Jeroen Peeters | De Witte Raaf | January 2011 | Choreographer: Myriam Van Imschoot, Jeroen Peeters Performance Title: Sarma keywords: archive, publication, artistic research, oral transmission, criticism, dramaturgy, Sarma |
| Schimmenspel als herinneringsarbeid Het documentaire theater van Olga de Soto, Rabih Mroué en The Atlas Group | Jeroen Peeters | Etcetera | October 2004 | Choreographer: Olga de Soto, Rabih Mroué, Walid Raad, The Atlas Groups Performance Title: Histoire(s), Looking for a missing employee, My neck is thinner than a hair keywords: documentary, history, fiction, media, mourning, memory, violence, biopolitics, Boris Groys |
| School-ridden bodies Notes on Boris Charmatz’ book “Je suis une école” | Jeroen Peeters | corpus | 17 December 2009 | Choreographer: Boris Charmatz, Thiery De Duve Performance Title: Je suis une école, Bocal, Faire école keywords: pedagogy, education, school, choreography, transmission, simulation |
| Schoolse lichamen Notities bij Boris Charmatz’ boek “Je suis une école” | Jeroen Peeters | Etcetera | December 2009 | Choreographer: Boris Charmatz, Thierry De Duve Performance Title: Je suis une école, Faire école keywords: school, pedagogy, education, simulation, transmission |
| | Schouwen en beschouwen | Jeroen Peeters | Financieel-Economische Tijd | 22 November 2000 | Choreographer: Alexander Baervoets, David Hernandez, Katrien van Aerschot, Brice Leroux Performance Title: Schauet doch keywords: choreography, perception |
| | Schuim | Jeroen Peeters | A+ | April 2010 | Choreographer: Peter Sloterdijk Performance Title: Sferen, Schuim keywords: Peter Sloterdijk, space, contemporaneity |
| Scrabble op de scène Jérôme Bel creëert ‘The Show Must Go On 2’ in Kaaitheater | Jeroen Peeters | De Morgen | 16 October 2004 | Choreographer: Jérôme Bel Performance Title: The Show Must Go On 2 keywords: theatre, language, convention, phantasy, construction, reduction, suspension |
| Sensualisme en weerstand Arco Renz creëert ‘Opium’ in STUK | Jeroen Peeters | De Morgen | 12 October 2004 | Choreographer: Arco Renz Performance Title: Opium keywords: sensualism, exhaustion, duration, repetition |
| Servus Franzl! Programme notes to 'Franz tanzt in Wien' by Milli Bitterli and Tanztheater Wien | Jeroen Peeters | Programme | 10 October 2002 | Choreographer: Milli Bitterli, Tanztheater Wien Performance Title: Franz tanzt in Wien keywords: group, game, architecture, hierarchy, horizontality |
| Sich am Sozialen reiben
Über Do Animals Cry von Meg Stuart und Damaged Goods
| Jeroen Peeters | Programme | May 2010 | Choreographer: Meg STuart, Damaged Goods Performance Title: Do Animals Cry keywords: social choreography, family, gesture, rubbing |
| Slappe romantiek Sasha Waltz met 'Impromptus' in deSingel | Jeroen Peeters | Sarma | 12 May 2005 | Choreographer: Sasha Waltz Performance Title: keywords: Berlin, Schubert, Friedrich, Romanticism |
| | Slechts een prettig zootje | Jeroen Peeters | Financieel-Economische Tijd | 27 May 2000 | Choreographer: Anne Teresa De Keersmaeker, Rosas, Aka Moon, Tg STAN, Gerardjan Rijnders Performance Title: keywords: interdisciplinarity |
| Small Spaces - Low Energy An idiosyncratic diary of the project of the Paul Deschanel Movement Research Group | Jeroen Peeters | www.pauldeschanel.be | June 2003 | Choreographer: Paul Deschanel Movement Research Group, ALexander Baervoets, Heike Langsdorf, Shila Anaraki, Florence Augendre, Franky DC, Antoine Desvigne, O Brasileiro, Jeroen Peeters, Kaszia Rausz, Kurt Vandendriessche Performance Title: Small Spaces, Low Energy keywords: space, living, research, process, project, territory |
| Snuisteren in het falen van Artaud
Italiaans collectief Kinkaleri over hun creatie ‘I Cenci/Spettacolo’ | Jeroen Peeters | De Morgen | 08 May 2004 | Choreographer: Kinkaleri Performance Title: I Cenci / Spettacolo keywords: Antonin Artaud, failure, hierarchy, representation, communication, theatre |
| Sphyraena barracuda Jazz en danscultuur 3: Multidisciplinaire perceptie tussen kung-fu en jazz | Jeroen Peeters | Jazz Halo | December 2000 | Choreographer: Performance Title: keywords: jazz, dance, listening, appropriation, multidisciplinarity, games, choreography, Bruce Lee, Tony Williams, John Zorn |
| Spiegels van allochtone choreografen Hush Hush Hush creëert platform voor jonge vrouwelijke choreografen | Jeroen Peeters | De Morgen | 20 November 2003 | Choreographer: Lima Lalitha, Candas Bas, Suna Cöncü, Hush Hush Hush Performance Title: Une journée framboise, Miroir, Sofya keywords: identity, culture, orientalism, multiculturalism |
| Spiegeltje, spiegeltje aan de wand... Over Frank Vande Veires 'Als in een donkere spiegel' | Jeroen Peeters | Oikos | November 2003 | Choreographer: Frank Vande Veire Performance Title: Als in een donkere spiegel keywords: art theory, philosophy, modernity, criticism, critical theory, representation, truth |
| Spookachtig tintje, ook in je eigen hoofd Frankfurter Kueche met 'InExHaustible' | Jeroen Peeters | De Morgen | 30 March 2004 | Choreographer: Frankfurter Kueche, Kattrin Deufert, Thomas Plischke Performance Title: InExHaustible keywords: beauty, conceptualism, schizofrenia |
| | Sporen van beweging | Jeroen Peeters | Financieel-Economische Tijd | 28 June 2000 | Choreographer: Felix Ruckert, Salva Sanchis, Kristof Van Gestel Performance Title: keywords: Beweeging 7, De stad als partituur, city dances, Paul Blondeel, Walter Siegfried, PARTS, city, architecture, Jean-Paul Sartre, space, video |
| | Springdance conversations: as if we don't know what it is (introduction) | Scott deLahunta, Jeroen Peeters | Sarma | 09 April 2005 | Choreographer: Performance Title: keywords: |
| | Stille waters zonder diepte | Jeroen Peeters | Financieel-Economische Tijd | 18 March 2000 | Choreographer: Karin Vyncke Performance Title: And not yet without wandering about keywords: ritual, object, actionism, |
| Stirred, not shaken
Emio Greco sluit met ‘Extra Dry’ zijn Martini-trilogie en het Klapstukseizoen af | Jeroen Peeters | Veto | 10 May 1999 | Choreographer: Emio Greco, Pieter C. Scholten, Andy Deneys Performance Title: Extra Dry keywords: Andy Deneys, body, unison, difference, sacral, Springdance |
| | Stoom op de ketel | Jeroen Peeters | Financieel-Economische Tijd | 06 October 1999 | Choreographer: Alain Platel, Randi De Vlieghe Performance Title: keywords: Alain Platel, Randi De Vlieghe, Klapstuk 99, multidisciplinary, everydayness, media, globalisation, ks04, revks04 |
| Strategieën van adaptatie
Enkele in- en uitgangen bij Damaged Goods’ Highway 101 | Jeroen Peeters | A-Prior | December 2001 | Choreographer: Meg Stuart, Jorge Leon, Stefan Pucher Performance Title: Highway 101, SOft wear, I'm all yours, Private Room, A choreographic laboratory keywords: adaptation, surveillance, identity, media, private, intimacy, omnipresence, morphing, memory, space, architecture, site-specificity, archive, experience, theatre, visuality, repetition, hyperrealism, body, prosthesis, medium, exposure, spectator |
| Strategies of adaptation
Some points of entry and exit concerning Damaged Goods’ Highway 101
| Jeroen Peeters | A-Prior | December 2001 | Choreographer: Meg Stuart, Stefan Pucher, Jorge Leon Performance Title: Highway 101, Soft Wear, I'm all yours, Private Room, A choreographic laboratory keywords: adaptation, surveillance, identity, media, private, intimacy, omnipresence, morphing, memory, space, architecture, site-specificity, archive, experience, theatre, visuality, repetition, hyperrealism, body, prosthesis, medium, exposure, spectator |
| Strike the backdrop! Afterwords: Michael Laub and Remote Control, Total Masala Slammer – Heartbreak No. 5 | Jeroen Peeters | der.Standard.at and ImPulsTanz.com | 24 July 2002 | Choreographer: Michael Laub, Remote Control Performance Title: Total Masala Slammer – Heartbreak No. 5 keywords: Afterwords, theatre, television, colonisation, modernity |
| Strompelen, struikelen, stilstaan Over André Lepecki's boek Exhausting Dance | Jeroen Peeters | Etcetera | April 2006 | Choreographer: André Lepecki Performance Title: Exhausting Dance keywords: dance studies, performance studies, modernity, postkolonialism, history, identity, mobility, subjectivity, Peter Sloterdijk |
| Stuifmeel voor de toeschouwer Curator Jérôme Bel over het internationale dansfestival Klapstuk #11 | Jeroen Peeters | De Morgen | 11 September 2003 | Choreographer: Jérôme Bel Performance Title: keywords: Klapstuk, authorship, spectator, curator, representation, multiculturalism, ks04, revks04 |
| Subliem vervelend Jennifer Lacey en Nadia Lauro met ‘Mhmmmm’ in Kaatheater
| Jeroen Peeters | De Morgen | 05 October 2005 | Choreographer: Jennifer Lacey, Nadia Lauro Performance Title: Mhmmmm keywords: femininity, gender, appropriation, art history, slow motion, Le sacre du printemps, Stravinsky |
| Sublieme mimesis Bespreking van Frans van Peperstraten, Sublieme mimesis | Jeroen Peeters | Oikos | September 2007 | Choreographer: Frans van Peperstraten Performance Title: Sublieme mimesis keywords: book review, sublime, mimesis, Lyotard, Heidegger, Lacoue-Labarthe, nationalism, consensus, representation |
| | Surfen op de tijd | Jeroen Peeters | Financieel-Economische Tijd | 24 November 1999 | Choreographer: Dana Caspersen, Capilla Flamenca Performance Title: Work for Three keywords: Capilla Flamenca, polyphony, Klapstuk 99, figure, William Forsythe, Josquin des Prez, Johannes Ockeghem, time, Jean-François Lyotard, neoclassicism |
| Take a walk on the wild side, and talk
Notes on Philipp Gehmacher’s project walk + talk in Tanzquartier Wien
| Jeroen Peeters | corpus | 06 April 2008 | Choreographer: Philipp Gehmacher, Meg Stuart, Oleg Soulimenko, Antonia Baehr, Jeremy Wade, Boris Charmatz, Sioned Huws, Rémy Héritier, Anne Juren, Milli Bitterli, Alexander Schellow Performance Title: walk + talk keywords: dance, discourse, movement vocabulary, lecture demonstration, expressionism, gesture, score, exposure, vulnerability, language, space, wtb2011 |
| Te veel grond voor figuren van tijdelijkheid?
Perceptie in het werk van Alexander Baervoets | Jeroen Peeters | Het geheugen van de blik | December 2000 | Choreographer: Alexander Baervoets, David Hernandez, Sarah Chase, Nathalie McDonnell Performance Title: Blauw, Walden, 19:56, Tha Mapping of Canada keywords: choreography, visuality, looking, reading, figure, ground, transience, Jean-François Lyotard |
| Tegen het sociale aanschurken Over Do Animals Cry van Meg Stuart en Damaged Goods
| Jeroen Peeters | Programme | May 2010 | Choreographer: Meg Stuart, Damaged Goods Performance Title: Do animals cry keywords: social choreography, family, gesture, rubbing |
| Temptation Island voor choreografen Festival Dans@tack in in Kortrijk | Jeroen Peeters | De Morgen | 17 June 2004 | Choreographer: Manuela Rastaldi, Sato Endo, Pierre Rubio, Jeanluc Ducourt Performance Title: keywords: workplace, laboratory, research |
| | Texte pour le programme de Blind | Jeroen Peeters | Programme | March 2003 | Choreographer: Alexander Baervoets Performance Title: Blind keywords: Alexander Baervoets, Blind |
| The empire of remote witnesses Superamas create ‘Empire (Art & Politics)’ at La Villette in Paris | Jeroen Peeters | corpus | 09 July 2008 | Choreographer: Superamas Performance Title: Empire (Art & Politics) keywords: globalisation, representation, language, embodiment, witnessing, spectatorship, art and politics |
| The empire of spectators On Superamas’ Empire (Art & Politics) | Jeroen Peeters | Dance Theatre Journal | November 2009 | Choreographer: Superamas Performance Title: Empire (art & politics) keywords: globalisation, Sloterdijk, embodiment, spectatorship |
| The empire of spectators Notes on 'Empire (Art & Politics)' by Superamas | Jeroen Peeters | Etcetera | September 2008 | Choreographer: Superamas Performance Title: Empire (Art & Politics) keywords: globalisation, camera, reenactment, embodiment, community, history, politics, truth, documentary, Sloterdijk |
| The existence of something else Mette Edvardsen presents her new group piece ‘or else nobody will know’ in Kaaitheater (Brussels) | Jeroen Peeters | corpus | 29 October 2007 | Choreographer: Mette Edvardsen Performance Title: or else nobody will know keywords: sculpture, perception, attention, witnessing, memory, address |
| | The impossible pas de deux of looking and writing | Jeroen Peeters | Sarma | November 2002 | Choreographer: Performance Title: keywords: criticism, looking, writing, description, Jean-François Lyotard |
| The myth of Disfigure Study Afterwords: Meg Stuart and Damaged Goods, Disfigure Study | Jeroen Peeters | der.Standard.at and ImPulsTanz.com | 07 August 2002 | Choreographer: Meg Stuart, Damaged Goods Performance Title: Disfigure Study keywords: Afterwords, myth, memory, trauma, phantasm |
| The operational theatre Afterwords: Jérôme Bel: The Show Must Go On | Jeroen Peeters | derStandard.at an ImPulsTanz.com | 20 July 2002 | Choreographer: Jérôme Bel Performance Title: The Show Must Go On keywords: Afterwords, theatre, operation |
| The Sequel Laurence Louppe discusses contemporary critical bodies | Jeroen Peeters | corpus | 03 July 2007 | Choreographer: Laurence Louppe Performance Title: La suite keywords: criticism, body, genealogy, Judson, French dance, book review, modes of production |
| The sound of silence Boris Charmatz presents the silent film ‘Une lente introduction’ in deSingel (Antwerp) | Jeroen Peeters | corpus | 18 October 2007 | Choreographer: Boris Charmatz, Aldo Lee, Madjid Hakimi Performance Title: Une lente introduction keywords: silent film, silence, sound dramaturgy, proximity, desire, projection, horizon |
| Theater als verspillingsritueel Notities bij de performance ‘For those who didn’t pay attention in chemistry class’ van EAU | Jeroen Peeters | Sarma | June 2002 | Choreographer: Alexandra Bachzetsis, Eva Meyer-Keller, Uta Eisenreich, EAU Performance Title: For those who didn't pay attention in chemistry class keywords: installation, performance, everydayness, horizontality, Georges Bataille, expenditure, kitchen, gender, television, advertisement |
| Theatre in the casino Afterwords: Jonathan Burrows and Jan Ritsema: Weak Dance Strong Questions | Jeroen Peeters | derStandard.at and ImPulsTanz.com | 15 July 2002 | Choreographer: Jonathan Burrows, Jan Ritsema Performance Title: Weak Dance Strong Questions keywords: Afterwords, theatre, economy, game |
| There is nothing to see Notes from a pseudo-spectator on Boris Charmatz’s 'héâtre-élévision' | Jeroen Peeters | Maska | June 2003 | Choreographer: Boris Charmatz Performance Title: héâtre-élévision keywords: vision, theatre, television, camera, sound, light, installation |
| There’s no way of escaping being looked at by others Programme text on I’m all yours, private room and soft wear by Meg Stuart and Damaged Goods | Jeroen Peeters | Programme | May 2002 | Choreographer: Meg Stuart, Damaged Goods, Rachid Ouramdane Performance Title: I'm All Yours, soft wear, private room, Highway 101 keywords: body, identity, gaze, looking, media |
| | Tijd voor herinneringen | Jeroen Peeters | Financieel-Economische Tijd | 06 December 2000 | Choreographer: Raimund Hoghe Performance Title: Another Dream keywords: memory, memorial, history, ritual, time, space |
| Tochtgaten in het hoofd Meg Stuart en Damaged Goods met 'Visitors Only' in Kaaitheater | Jeroen Peeters | De Morgen | 15 September 2003 | Choreographer: Meg Stuart, Damaged Goods Performance Title: Visitors Only keywords: experience, perception |
| | Toedekken en afpellen | Jeroen Peeters | Financieel-Economische Tijd | 07 February 2001 | Choreographer: Heine R. Avdal, Yukiko Shinozaki, Damaged Goods Performance Title: Cast off skin keywords: skin, body, presence, morfing, gesture |
| Too much ground for transient figures? Perception in the work of Alexander Baervoets
| Jeroen Peeters | The Memory of the Look | December 2000 | Choreographer: Alexander Baervoets, David Hernandez, Sarah Chase, Nathalie McDonnell Performance Title: Blauw, Walden, 19:56, The Mapping of Canada keywords: choreography, visuality, reading, looking, figure, ground, transience, Jean-François Lyotard |
| | Tot zelfs de criticus mee gaat spelen | Jeroen Peeters | Financieel-Economische Tijd | 31 March 2001 | Choreographer: Tom Plischke, Alice Chauchat, Martin Nachbar, Davis Freeman, Anne Juren, Laeticia Mazur, Marten Spangberg Performance Title: Affects/Rework, Quotation Marks Me, Terpsichore Study, Recent Works, Transit keywords: criticism, appropriation, memory, text |
| Transformaties en maskerades Notities bij Davis Freeman en Lilia Mestre / Random Scream, 'Fading Fast' | Jeroen Peeters | Sarma | June 2003 | Choreographer: Lilia Mestre, Davis Freeman, Random Scream Performance Title: Fading fast keywords: minstrel, modernity, politics, obscene, anachronism, screen, transparency, mask, grotesque |
| Transformations and mental permutations Afterwords: Arco Renz & Kobalt Works, Mirth | Jeroen Peeters | derStandard.at and ImPulsTanz.com | 09 July 2002 | Choreographer: Arco Renz, Kobalt Works Performance Title: Mirth keywords: Afterwords, writing, transformation, permutation |
| | Transparante labyrinten | Jeroen Peeters | Financieel-Economische Tijd | 10 November 1999 | Choreographer: Trisha Brown Performance Title: Five Part Weather Invention, Canto pianto, Orfeo, Set and Reset, Accumulation, Man walking down the side of a building, Son of Gone Fishin', M.O. keywords: music, modernism, partition, Laurie Anderson, Monteverdi, Bach, Peter Zumo, Robert Ashley |
| Tussen boek en straat Uitgelezen: Ann Meskens, Eindelijke buiten. Filosofische stadswandelingen | Jeroen Peeters | Oikos | March 2008 | Choreographer: Ann Meskens Performance Title: Eindelijke buiten keywords: book review, philosophy, city, consumerism, criticism, critique, narrativity |
| Tussen voetbal en theater Xavier Le Roy met ‘Project’ in Kaaitheater | Jeroen Peeters | Sarma | 24 November 2003 | Choreographer: Xavier Le Roy Performance Title: Project, Projet keywords: theatre, dance, game, rules, strategy, individual |
| Utopia of a world body Choreographer Lilia Mestre on her first group performance, ‘Beyond Mary and Joseph’ | Jeroen Peeters | De Morgen | 24 September 2003 | Choreographer: Lilia Mestre, Random Scream Performance Title: Beyond Mary and Joseph keywords: family, religion, utopia, body, tradition, domesticity |
| Utopie van een wereldlichaam Choreografe Lilia Mestre over haar eerste groepsstuk ‘Beyond Mary and Joseph’ | Jeroen Peeters | De Morgen | 24 September 2003 | Choreographer: Lilia Mestre Performance Title: Beyond Mary and Joseph keywords: body, family, religion, tradition, utopia, culture, imagery |
| 'Uw lichaam is slimmer dan u denkt' Choreograaf Thomas Hauert over ‘Modify’ | Jeroen Peeters | De Morgen | 19 November 2004 | Choreographer: Thomas Hauert, ZOO Performance Title: Modify keywords: movement, language, intuition, voice, body |
| Valse mannen met valse baarden Festival Tanz im August ingezet | Jeroen Peeters | De Morgen | 24 August 2004 | Choreographer: Jean-Pierre Perrault, Elettra de Salvo, Eszter Salamon Performance Title: Joe, Autoreverse, solo for 11 men, Reproduction keywords: gender, sexual identity, solo, group |
| Van globaal comfort en duurzame lokaliteit Over 'Het kristalpaleis' van Peter Sloterdijk | Jeroen Peeters | Oikos | December 2006 | Choreographer: Peter Sloterdijk Performance Title: Het kristalpaleis, Im Weltinnenraum des Kapitals keywords: globalisation, colonialism, sustainability, comfort, boredom, locality, capital, information, Peter Sloterdijk |
| Van prothesen, restruimtes en glijmiddel Matthew Barneys ‘The Cremaster Cycle’ integraal vertoond in deSingel | Jeroen Peeters | De Morgen | 22 December 2003 | Choreographer: Matthew Barney Performance Title: The Cremaster Cycle keywords: film, performance, sculpture, discipline, prosthesis, body, waste space |
| Van ramen en deuren Circusfestival Hors Pistes in de Hallen van Schaarbeek | Jeroen Peeters | De Morgen | 14 November 2003 | Choreographer: Mathurin Bolze, Cie Baladeu'x, Cie Earis Performance Title: Fenêtres, Double-tour, Looking through eardrums keywords: circus, gravitation |
| Van schrijven en dansen
Nieuwe versie van Thomas Lehmens ‘Schreibstück’ in Kaaitheater, Monty en Vooruit
| Jeroen Peeters | De Morgen | 21 October 2004 | Choreographer: Thomas Lehmen, Jonathan Burrows, Hooman Sharifi, Christine de Smedt, Mette Edvardsen, Mårten Spångberg Performance Title: Schreibstück keywords: score, writing, authorship, |
| Van zweepjes en tepelklemmen Felix Ruckert en Raimund Hoghe op Duits dansplatform | Jeroen Peeters | De Morgen | 19 February 2004 | Choreographer: Felix Ruckert, Raimund Hoghe Performance Title: Ring, Secret Service, Tanzgeschichten, Sacre - The Rite of Spring keywords: body experience, warm up, sadomasochism, portrait, memory |
| Variaties op staan, wandelen en lopen
David Zambrano’s ‘Twelve Flies Went Out at Noon’ in Theater Frascati in Amsterdam | Jeroen Peeters | De Morgen | 17 January 2005 | Choreographer: David Zambrano Performance Title: Twelve Flies Went Out at Noon keywords: group improvisation |
| Veel uitschuivers op de dansvloer Het Leuvense dansfestival Klapstuk #12 zit erop | Jeroen Peeters and Jeroen Versteele | De Morgen | 10 November 2005 | Choreographer: Nicholas Floc'h, LISA, Tarwater, Heine R. Avdal, Fin Novembre Performance Title: Structure Multifonctions keywords: Klapstuk #12, multidisciplinarity, experiment, crossover, conceptualism, dance |
| | Veertigduizend kippen | Jeroen Peeters | Financieel-Economische Tijd | 09 February 2000 | Choreographer: El Ojo de la Faraona, Carmelo Fernandez, Juan Benitez, Orlando Ortega, Charo Calvo Performance Title: Maybe Tomorrow keywords: theatre, everydayness, Ultima Vez, voice, communication, |
| Verdwaald in de taal Sanne van Rijn creëert 'Vormsnoei' in Leuvense STUK | Jeroen Peeters | De Morgen | 12 May 2004 | Choreographer: Sanne van Rijn Performance Title: Vormsnoei keywords: language, behaviour, communication, interculturalism, globalism |
| Vergeetachtige schoonheid Arco Renz en Kobalt Works met 'Dreamlands' in STUK | Jeroen Peeters | De Morgen | 13 November 2003 | Choreographer: Arco Renz, Kobalt Works Performance Title: Dreamlands keywords: beauty, memory, kitsch, Bali, abstract dramaturgy |
| Verhalen en verspillingsrituelen Internationaal dansfestival Klapstuk #11 in Leuven | Jeroen Peeters | De Morgen | 09 October 2003 | Choreographer: Forced entertainment, Claudia Triozzi, Bruno Beltrão, Eva Meyer-Keller Performance Title: And on the Thousandth Night, Park, Telesquat, Death is certain keywords: exces, storytelling, domesticity, language, KS04, REVKS04 |
| Veronika! Afterwords: Milli Bitterli & Artificial Horizon, und er ein anderer aus untereinander | Jeroen Peeters | der.Standard.at and ImPulsTanz.com | 11 July 2002 | Choreographer: Milli Bitterli, Artificial Horizon Performance Title: und er ein anderer aus untereinander keywords: Afterwords, iconography |
| | Verstrikt in problemen | Jeroen Peeters | Financieel-Economische Tijd | 17 March 2001 | Choreographer: Marc Vanrunxt, Salva Sanchis, Eva Rodenburg Performance Title: Some Problems of Space Perception keywords: space, perception, parody |
| | Vertikaler Horizont | Jeroen Peeters | De Witte Raaf | July 2005 | Choreographer: Stefanie Wenner Performance Title: Vertikaler Horizont keywords: horizon, visuality, visibility, cartography, phenomenology, space, verticality, horizontality, Merleau-Ponty, Cézanne, Louis Marin, Stefanie Wenner |
| | Verzwijgt de danser dat hij spreekt? | Jeroen Peeters | Het beste uit de tijdschriften 2007 | October 2007 | Choreographer: Philipp Gehmacher, Boris Charmatz Performance Title: Incubator, Between now and then, das überkreuzen beyber hände, Quintette cercle keywords: expressionism, listening, gesture, trance, animality, heteronomy, absence |
| Verzwijgt de danser dat hij spreekt? Notities over expressionisme in recent werk van Philipp Gehmacher en Boris Charmatz | Jeroen Peeters | Etcetera | September 2006 | Choreographer: Philipp Gehmacher, Boris Charmatz Performance Title: Incubator, Between now and then, das überkreuzen beyber hände, Quintette cercle keywords: expressionism, listening, absence, trance, animality, wtb2011 |
| | Vie ouvertures van Forsythe | Jeroen Peeters | Financieel-Economische Tijd | 26 February 2000 | Choreographer: William Forsythe, Thom Willems Performance Title: One Flat Thing Reproduced, The The, Of any if and, 7 to 10 passages keywords: ballet, neoclassicism, perception |
| | Vlekken in het paleis | Jeroen Peeters | Financieel-Economische Tijd | 19 July 2000 | Choreographer: David Hernandez, Craigie Horsfield Performance Title: Filter, Johnny keywords: location, spectator, audience, intervention, improvisation |
| | Vogelgriepperspectief | Jeroen Peeters en Martin Nachbar | Etcetera | February 2006 | Choreographer: Martin Nachbar Performance Title: Mnemonic Nonstop keywords: concepts, metaphors, language, infection, fluidity |
| Voilà! Het label als présentoir Jazz en danscultuur 2 | Jeroen Peeters | Jazz Halo | November 2000 | Choreographer: Performance Title: keywords: dance, jazz, remix, sampling, label, listening, Thierry De Duve |
| Voor het leven, voor de show, voor de kunst! Alexandra Bachzetsis met ‘Show dance’ in Nadine | Jeroen Peeters | De Morgen | 27 August 2004 | Choreographer: Alexandra Bachzetsis Performance Title: Show dance keywords: gender, feminity, popular culture, Andy Warhol |
| Voor voetlicht en geestesoog van de anderen Vincent Dunoyer opent festival Spectra van de dans met ‘Solos for Others’ | Jeroen Peeters | De Morgen | 03 October 2003 | Choreographer: Vincent Dunoyer, Etienne Guilloteau Performance Title: Solos for Others keywords: photography, Muybridge, Beethoven, Diabelli Variations, memory, |
| Voorbij de aanraking Philipp Gehmacher met 'Incubator' in Berlijnse Hebbel am Ufer | Jeroen Peeters | De Morgen | 08 April 2005 | Choreographer: Philipp Gehmacher Performance Title: Incubator keywords: gesture, touch, encounter, expressionism, formalism |
| Voorbij schooltoneeltjes en videoclips ‘Dromen hebben veters’ van fABULEUS is dansproductie door en voor kinderen
| Jeroen Peeters | De Morgen | 17 October 2003 | Choreographer: Joke Laureyns, Kwint Manshoven, Fabuleus Performance Title: Dromen hebben veters keywords: art education, games |
| Vooruitgang en andere illusies Boekbespreking van John Grays 'Provocaties' | Jeroen Peeters | Oikos | September 2005 | Choreographer: John Gray Performance Title: Provocaties keywords: illusions, liberalism, progress, religion, politics, ethics, post-humanism, scarcity, rights |
| Waanbeelden en verspillingsrituelen Jaaroverzicht dans 2004: middelmatigheid troef op Vlaamse podia | Jeroen Peeters | De Morgen | 28 December 2004 | Choreographer: Raimund Hoghe, Superamas, Meg Stuart, Benoit Lachambre, Hahn Rowe, Damaged Goods, Claudia Triozzi, Kattrin Deufert, Thomas Plischke, Frankfurter Kueche Performance Title: Sacre - The Rite of Spring, BIG 2nd Episode (Show/Business), Forgeries, Love and Other Matters, Stand, As If (It was beautiful) keywords: production, consumption, waste, rituals, excess, delusion, illusion |
| Waar de kijker zich blind staart Programmatekst bij 'Blind' van Alexander Baervoets | Jeroen Peeters | Programme | 29 April 2003 | Choreographer: Alexander Baervoets, Andrew L. Harwood, Lin Snelling Performance Title: Blind keywords: choreography, improvisation, composition, vision, blindness, space |
| | Waar kijken omslaat in luisteren | Jeroen Peeters | Financieel-Economische Tijd | 30 September 2000 | Choreographer: Thomas Hauert, Sarah Ludi, Mat Voorter, Samantha van Wissen, Mark Lorimer Performance Title: Jetzt keywords: improvisation, research, Thelonious Monk, perception, spectator, looking, listening |
| Waarom al die vragen? Het interview als kritisch en dramaturgisch instrument | Jeroen Peeters | Etcetera | June 2003 | Choreographer: Boris Charmatz, Isabelle Launay, Simon Dove, Gabriël Smeets, Jan Ritsema, Dorothea von Hantelmann Performance Title: Entretenir, Why all these questions? keywords: interview, criticism, dramaturgy, body, education, context |
| 'Waarom willen jullie mij interviewen?' Interview over het interview met Umberto Eco | Jeroen Peeters and Jeroen Lissens | Veto | 01 March 1999 | Choreographer: Performance Title: keywords: criticism, journalism, interview, Umberto Eco |
| | Wanderungen und Notizen eines Besuchers | Jeroen Peeters | Programme | 30 April 2003 | Choreographer: Meg Stuart, Damaged Goods Performance Title: Visitors Only keywords: architecture, space, working process, fake, brain, normality |
| Wanneer de taal mank loopt Vera Mantero & Guests in het Kaaitheater | Jeroen Peeters | De Morgen | 29 March 2005 | Choreographer: Vera Mantero Performance Title: creation 2002 keywords: language, identity, voice, sound |
| Wanorde en continuïteit als alternatief voor maakbaarheid Over René Boomkens' 'De nieuwe wanorde' | Jeroen Peeters | Oikos | March 2007 | Choreographer: René Boomkens Performance Title: De nieuwe wanorde keywords: globalisation, urbanism, living, epistemology, imagination, popular culture, Walter Benjamin, Enlightenment, community, public space, pragmatism, continuity |
| | Was ist Choreografie? | Jeroen Peeters | corpus | 17 December 2007 | Choreographer: Performance Title: keywords: choreography, illness, Witold Gombrowicz, Enrique Vila-Matas |
| | Wat aangevangen met multihuppeldepup? | Jeroen Peeters | Financieel-Economische Tijd | 09 September 2000 | Choreographer: Erika Zueneli, Kubilaï Khan Investigations, Monica Francia, Jo Fabian Performance Title: Noon, S.O.Y., Ritratti, Lighthouse keywords: multidisciplinarity, perception, medium |
| Wat heet eigentijds? Koninklijk Ballet van Vlaanderen met gemengd programma ‘Circles & Mind Games’ | Jeroen Peeters | De Morgen | 02 October 2003 | Choreographer: Konklijk Ballet van Vlaanderen, Mauricio Wainrot, Christopher d'Amboise, Danny Rosseel Performance Title: Circles & Mind Games, Circle of Fifths, Unveiled Senses, Journey keywords: ballet, expressionism, neo-classicism, George Balanchine, tradition |
| Wat je denkt, is wat je ziet, niet? Springdance/festival in Utrecht brengt werk op locatie | Jeroen Peeters | De Morgen | 21 April 2005 | Choreographer: Boris Charmatz, Julia Cima, Jérôme Bel Performance Title: Horace Benedict, Véronique Doisneau keywords: site specificity, context, politics, discourse, conceptualism, ballet, Steve Paxton, Springdance, Holland |
| 'Wat je ziet, is niet wat je ziet' Performancecollectief Superamas over ‘BIG 2nd episode (show/business)’ | Jeroen Peeters | De Morgen | 23 June 2004 | Choreographer: Superamas Performance Title: BIG 2nd episode (show/business) keywords: impure art, culture, desire, collective, originality, authorship |
| Weg met de meesterwerken Superamas creëert ‘BIG 2nd episode (show/business) op festival Dans@tack in Kortrijk | Jeroen Peeters | De Morgen | 24 June 2004 | Choreographer: Superamas Performance Title: BIG 2nd episode (show/business) keywords: desire, pop culture, entertainment, repetition, reproduction, masterpiece |
| | Werk / Some Work. Benjamin Verdonck | Jeroen Peeters | Etcetera | February 2009 | Choreographer: Benjamin Verdonck Performance Title: Werk / Some Work keywords: artist's book, letters, gesture, discourse |
| | What is choreography? | Jeroen Peeters | corpus | 17 December 2007 | Choreographer: Performance Title: keywords: choreography, illness, Enrique Vila-Matas, Witold Gombrowicz |
| Where the spectator goes blind… Programme text for ‘Blind’, choreography of Alexander Baervoets
| Jeroen Peeters | Programme | 29 April 2003 | Choreographer: Alexander Baervoets, Andrew Harwood, Lin Snelling Performance Title: Blind keywords: Improvisation, composition, blindness, visuality, spectator, choreography |
| | Wie is er bang van theater? | Jeroen Peeters | Financieel-Economische Tijd | 03 February 2001 | Choreographer: Tom Plischke, Alice Chauchat, Martin Nachbar Performance Title: (re)SORT keywords: accumulation, theater, spectator, sublime |
| Wie sich begegnen? Der Choreograph Philipp Gehmacher über ‘Incubator’ und ‘good enough’
| Jeroen Peeters | De Morgen | 09 April 2005 | Choreographer: Philipp Gehmacher, Raimund Hoghe Performance Title: Incubator, good enough keywords: encounter, social space, loneliness, touch, gesture, difference, physicality, wtb2011 |
| 'Wij' zeggen, een extreme oefening Over Vera Mantero’s choreografie van het samenleven | Jeroen Peeters | Etcetera | December 2007 | Choreographer: Vera Mantero Performance Title: Until the moment when God is destroyed by the extreme exercise of beauty keywords: social, collaboration, listening, acoustic imaginary unison, synchronicity, speech, Jean-Luc Nancy, Peter Sloterdijk, narrativity |
| William Forsythe De man die wolken danst | Jeroen Peeters | De Morgen | 21 May 2005 | Choreographer: William Forsythe, Spencer Finch Performance Title: Hypothetical Stream, Three Atmospheric Studies, Scattered Crowd keywords: clouds, painting, choreographic thinking, installation |
| | Wiskunde voor de zintuigen | Jeroen Peeters | Financieel-Economische Tijd | 12 July 2000 | Choreographer: Akram Khan Performance Title: Fix, Rush, Loose in Flight keywords: PARTS, X-Group, kathak, deconstruction, body image, limitation, space |
| Woede als kritisch potentieel Bespreking van Peter Sloterdijk, Woede en tijd | Jeroen Peeters | Oikos | September 2007 | Choreographer: Peter Sloterdijk Performance Title: Woede en tijd, Zorn und Zeit keywords: anger, recognition, revenge, ecology, islamism, terrorism, leftism, socialism, humanism, narrativity, subjectivity, Fukuyama, Sloterdijk |
| You are already doing all of it Notities bij Le Plein van Tino Sehgal | Jeroen Peeters | Etcetera | June 2003 | Choreographer: Tino Sehgal Performance Title: Le Plein, Do it keywords: performance, performativity, tautology, economy, discourse, spectator, witness |
| Zeg ‘ns Aaa
Jonathan Burrows en Matteo Fargion met ‘The Quiet Dance’ in de Kaaitheaterstudio’s | Jeroen Peeters | Sarma | 15 October 2005 | Choreographer: Jonathan Burrows, Matteo Fargion Performance Title: The Quiet Dance keywords: composition, musicality, everydayness |
| | Zo glad als boter | Jeroen Peeters | Financieel-Economische Tijd | 02 December 2000 | Choreographer: Jan Fabre, Erna Omarsdottir, Frank Pay, Troubleyn Performance Title: As long as the world needs a warrior's soul, My movements are alone like streetdogs keywords: sublimation, obscene, grotesque |
| Zomaar lichamen? Philipp Gehmacher met ‘Mountains are Mountains’ in Vooruit | Jeroen Peeters | Sarma | 12 November 2003 | Choreographer: Philipp Gehmacher Performance Title: Mountains are Mountains keywords: body, narrativity, abstraction, horizontality, gravity |
| | Zonder media geen lichaam | Jeroen Peeters | Financieel-Economische Tijd | 09 March 2001 | Choreographer: Boris Charmatz, Association Edna, Superamas, Sylvia Bossu, Gilles Touyard, Julia Cima, Bertrand Lamarche Performance Title: Statuts, Diggin' Up keywords: body, media, mediatisation, installation |
| | Zwembroeken, explosievengordels en spelletjes | Jeroen Peeters | De Morgen | 30 August 2003 | Choreographer: Martine Pisani, Mauro Paccagnella, Allessandro Bernardesschi, Patrick Bonté, Ingrid Von Wantoch Rekovski Performance Title: Slow Down, A-Ronne II, Babylonia Kiss, Sequenza's keywords: Luciano Berio, games, Bellone-Brigittines |
| | Zwemmen of kopje onder | Jeroen Peeters | Financieel-Economische Tijd | 17 May 2000 | Choreographer: Jean Luc Ducourt Performance Title: I/O Solo keywords: Robert Antelme, process, improvisation, Dans in Kortrijk, Dans@Tack, solo, presence |
| | Zwemmen op het droge | Jeroen Peeters | Financieel-Economische Tijd | 17 February 2001 | Choreographer: Thomas Hauert, David Zambrano, Anne Teresa De Keersmaeker, Jonathan Burrows, Alexander Baervoets, Jeanluc Ducourt, David Hernandez, Brice Leroux, Katie Duck, Steve Paxton, ALex Waterman Performance Title: Hobokendans, Ballroom, Das wohltemperierte Klavier keywords: improvisation |
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