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Found 33 results for: Choreographer = "jérôme bel" ordered by Title
To order the search results on 'Author', 'Title', 'Medium' or 'Date', click on the heading.
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‘Onbeweeglijke actie’ in Jérôme Bels The Last Performance Of: Het fantasma van het (dansende) subject ongedaan maken. | André Lepecki | Het zout der aarde | 2001 | Choreographer: Jérôme Bel, Vaslav Nijinsky, Isadora Duncan, Steve Paxton Performance Title: The Last Performance, Le Sacre du Printemps, Magnesium, Jérôme Bel keywords: stillness, 'small dance', 'microscopy of perception', resistance, temporality |
| A virgin sacrificed Afterwords: Jérôme Bel, Jérôme Bel | Jeroen Peeters | derStandard.at and ImPulsTanz.com | 10 July 2002 | Choreographer: Jérôme Bel Performance Title: Jérôme Bel keywords: Afterwords, body, text, language, semiotics |
| | Altijd weer dat lichaam | Pieter T'Jonck | Financieel-Economische Tijd | 19 May 2005 | Choreographer: Charlotte Vanden Eynde; Franko B; Rodrigo Garcia; Pichet Klunchun & Jérôme Bel Performance Title: Beginnings/Endings - I miss you - La historia de Ronald el payaso de MacDonalds - Made in Thailand keywords: lichaam; waarheid; representatie |
| | Avant-gardisme als neoacademisme | Rudi Laermans | Etcetera | June 2001 | Choreographer: Jérôme Bel, Boris Charmatz Performance Title: The Show Must Go On, Shirtology, Le dernier spectacle, Herses (Une lente introduction), Con Forts Fleuve keywords: |
| Crystallisation
Unmaking American dance by tradition
| André Lepecki | Dance Theatre Journal | February 1999 | Choreographer: Meg Stuart, Vera Mantero, Francisco Camacho, Jérôme Bel, Pina Bausch, Martha Graham, Vaslav Nijinsky, Paul Taylor, Douglas Dunn, Judson Church, ... Performance Title: Disfigure Study keywords: American dance, European dance, modernism, post-modernism, Susan Manning, Sally Banes, tradition,experiment, dramaturgy, Marcia Siegel, dance criticism, audience, perception, choreographer |
| De Jerry's: Lastige vragen In de marge van het KunstenFESTIVALdesArts | Jeroen Peeters | De Morgen | 20 May 2005 | Choreographer: Jérôme Bel, Tang Fu Kuen, Pichte Klunchun Performance Title: Made in Thailand, The Jerry Bel Show keywords: global condition, production structures, postkolonialism, hierarchies of knowledge |
| De Jerry's: Sterren In de marge van het KunstenFESTIVALdesArts | Jeroen Peeters | Sarma | 09 May 2005 | Choreographer: Jérôme Bel, Sophie Rois, Caroline Peters Performance Title: The Jerry Bel Show, Hallo Hotel...! keywords: stars, talkshow |
| | Dialogue sur et pour Jérôme Bel | Alain Buffard & Xavier Le Roy | Mouvement | June 1999 | Choreographer: Jérôme Bel Performance Title: Jérôme Bel, Shirtologie, Nom donné par l'auteur, Le dernier spectacle keywords: KS04 |
| | Die Strategie der kollektiven Aufmerksamkeit | Rudi Laermans | Book: Kowledge in motion | 2007 | Choreographer: Jérôme Bel, Meg Stuart, Patricia Portela, Deep Blue, Thomas Lehmen Performance Title: The show must go on, Highway, Auf den Tisch!, Stationen keywords: |
| Een pleidooi voor (terug) meer beweging in het kritisch kijken naar en denken over dans Open brief van Guy Cools aan Jeroen Peeters, en wederwoord | Guy Cools and Jeroen Peeters | Sarma | March 2004 | Choreographer: Jérôme Bel, William Forsythe, Anne Teresa de Keersmaeker, Alain Platel, Les Ballets c de la B Performance Title: Once keywords: dance, conceptualism, criticism, diversity, stilness, ks04, Klapstuk 2003, BEconcept, revks04 |
| Een pleidooi voor stilstand Jaaroverzicht: werd er nog gedanst in 2003? | Jeroen Peeters | De Morgen | 08 January 2004 | Choreographer: Jérôme Bel, Jennifer Lacey, Nadia Lauro, Meg Stuart, Damaged Goods, Random Scream, Lilia Mestre, Davis Freeman, Vincent Dunoyer, Deep Blue, Heine Avdal, Yukiko Shinozaki, Christoph De Boeck Performance Title: This is an epic, Visitors Only, Fading Fast, Solos for others, Closer keywords: criticism, anti-dance, stillness, perception, Dominique Frétard, Mirjam van der Linden, Klapstuk, KS04, BEconcept, FRconcept, fantomen, anti-dans |
| Fostering ambivalence to disguise dogma? On the critical writing of artists in the project Afterwords, ImPulsTanz Vienna 2002 | Jeroen Peeters | Sarma | 11 August 2002 | Choreographer: Steve Paxton, Boris Charmatz, Wendy Houstoun, Jérôme Bel, Jeanluc Ducourt, Jan Ritsema, Barbara Kraus Performance Title: keywords: Afterwords, criticism, poetics, politics, writing |
| Hallo, ich bin Andre Agassi
Jerôme Bel zeigt "The Last Performance" im Mousonturm | Gerald Siegmund | Frankfurter Allgemeine Zeitung / Rhein-Main | 12 March 2000 | Choreographer: Jérôme Bel Performance Title: The last performance keywords: |
| Het festival van de nieuwe kunstenaar De radicale keuze van Jerôme Bel | Elke Van Campenhout | De Standaard | 01 October 2003 | Choreographer: jérôme bel Performance Title: klapstuk 11 keywords: klapstuk 11, jerôme bel, experimental, multidisiplinary, transdisciplinary, conceptual, ks04, revks04 |
| | Je ziet niet wat je ziet | Jeroen Peeters | Financieel-Economische Tijd | 29 April 2000 | Choreographer: Jérôme Bel, Xavier Le Roy, Stuart Sherman, Grand Magasin Performance Title: Xavier Le Roy, Le Meilleur Moment keywords: difference, identity, Marcel Duchamp, absence, performance |
| Kan dans vandaag anders dan struikelen en vallen?
Jaaroverzicht: André Lepecki creëert een politiek perspectief op de huidige dans | Jeroen Peeters | De Morgen | 02 January 2006 | Choreographer: Philipp Gehmacher, Kattrin Deufert, Thomas Plischke, Bruno Beltrao, Jérôme Bel, Jonathan Burrows, Matteo Fargion, André Lepecki Performance Title: Incubator, Directory 2: Songs of love and war, The Quiet Dance, Véronique Doisneau, H2-2005 keywords: mobility, immobility, stillness, ground, stumbling, kolonialism, neoliberalism, modernity, André Lepecki |
| | Klapstuk #11 bis: introduction | Pieter T'Jonck | Sarma | 25 October 2004 | Choreographer: Jérôme Bel, Alain Platel, Cuqui Jerez, Tom Plischke, Performance Title: keywords: ks04, conceptual dance, performativity, presence, Klapstuk |
| L’après-sprectacle Le Dernier Spectacle | Christophe Wavelet | Mouvement | January 2000 | Choreographer: Jérôme Bel Performance Title: Le dernier spectacle keywords: KS04 |
| | Lichamen in de strijd | Jeroen Peeters | Financieel-Economische Tijd | 06 December 2000 | Choreographer: Raimund Hoghe, Jérôme Bel, Lilia Mestre, Davis Freeman, Robert Pacitti, Sarah Chase, Vincent Dunoyer Performance Title: Meinwärts, Another Dream, Körper in den Kampf werfen, Lettere Amorose, Nom donné par l'auteur, Untitle me, This is not a love song, Small Room, Vanity keywords: body, body politics, Pasolini |
| Mama, waarom praten wij? Choreograaf Jérôme Bel over de creatie van ‘The Show Must Go On 2’ | Jeroen Peeters | De Morgen | 16 October 2004 | Choreographer: Jérôme Bel Performance Title: The Show Must Go On 2 keywords: language, theatre, conceptualism, medium, meaning, Marcel Duchamp, Samuel Beckett, Jean-Luc Godard, Dominique Frétard, FRconcept, ks04 |
| | Notizen beim Festival „Say it now“ in Gent, 17. bis 25. Februar 2006 | Franz Anton Cramer | Theater der Zeit | April 2006 | Choreographer: Jérôme Bel, Pichet Klunchun, Frankfurter Küche, Thomas Plischke, Katrin Deuffert, Hans Bryssinck, Paul deMarinis, Patricia Portela Performance Title: Say it now, Pichet Klunchun and myself, Directory 1+2, Firebirds, Flatland, keywords: Ghent, Vooruit, language, Siemens Arts Program, |
| | Ongenaakbaar maakbaar | Jeroen Peeters | Financieel-Economische Tijd | 27 October 1999 | Choreographer: Moti Roti, Jérôme Bel, Forced Entertainment, Noa Bustamente, Franko B Performance Title: keywords: Beweeging 5, Catherine Ugwu, Lois Keidan, body, gender, identity, live art, performance, media, Moti Roti, Jérôme Bel, Forced Entertainment, Noa Bustamente, Franko B |
| Querfeldein gefragt: Was ist tanzlos? Das Berliner Hebbel am Ufer (HAU) etabliert mit „Context“ eine Plattform für zeitgenössischen Tanz | Constanze Klementz | Theater der Zeit | May 2004 | Choreographer: Martin Nachbar,Tino Seghal, Xavier Le Roy, Jérôme Bel, Russell Maliphant Performance Title: Urheben Aufheben, 20 Minutes for The 20th Century, Xavier Le Roy, Berliner Zimmer, Context keywords: authorship, curatorship, festival, contemporary, choreography, concept-dance, dance-dance, presence, representation, context, HAU |
| | Rien, pas même le corps... | André Lepecki | Nouvelles De Danse | April 1998 | Choreographer: John Jasperse, Vera Mantero, Felix Ruckert, Dennis O'Connor, Boris Charmatz, Jérôme Bel, Meg Stuart Performance Title: keywords: anthropology, 'what is dance?', Michel Foucault, Marcel Mauss, Clifford Geertz, Judith Lynne Hanna |
| Scrabble op de scène Jérôme Bel creëert ‘The Show Must Go On 2’ in Kaaitheater | Jeroen Peeters | De Morgen | 16 October 2004 | Choreographer: Jérôme Bel Performance Title: The Show Must Go On 2 keywords: theatre, language, convention, phantasy, construction, reduction, suspension |
| Stuifmeel voor de toeschouwer Curator Jérôme Bel over het internationale dansfestival Klapstuk #11 | Jeroen Peeters | De Morgen | 11 September 2003 | Choreographer: Jérôme Bel Performance Title: keywords: Klapstuk, authorship, spectator, curator, representation, multiculturalism, ks04, revks04 |
| The operational theatre Afterwords: Jérôme Bel: The Show Must Go On | Jeroen Peeters | derStandard.at an ImPulsTanz.com | 20 July 2002 | Choreographer: Jérôme Bel Performance Title: The Show Must Go On keywords: Afterwords, theatre, operation |
| | The politics of collective attention | Rudi Laermans | Book: Kowledge in motion | 2007 | Choreographer: Jérôme Bel, Meg Stuart, Patricia Portela, Deep Blue, Thomas Lehmen Performance Title: The show must go on, Highway, Auf den Tisch!, Stationen keywords: |
| Undoing the fantasy of the (dancing) subject. ‘Still acts’ in Jérôme Bel’s The Last Performance. | André Lepecki | The Salt of the Earth | 2001 | Choreographer: Jérôme Bel, Vaslav Nijinsky, Isadora Duncan, Steve Paxton Performance Title: The Last Performance, Le Sacre du Printemps, Magnesium, Jérôme Bel keywords: stillness, 'small dance', 'microscopy of perception', resistance, temporality |
| Vom blinden Fleck aus betrachtet Behauptungen von Erinnerung, Geschichte, Biografie verdichteten sich beim 17. „Tanz im August“ in Berlin zu verkörperter Zeit. | Constanze Klementz | Theater der Zeit | October 2005 | Choreographer: Olga de Soto, Roland Petit, Jérôme Bel, William Forsythe, Marie Chouinard, Julia Cima Performance Title: histoire(s), Veronique Doisneau, You Made Me A Monster, Visitations,Tanz im August keywords: history, memory, fiction, blind spot, interpretation, biography, portrait, document, witness, rekonstruction, construction |
| Wake up call Citation and the unmaking of amnesia in The Last Performance | André Lepecki | Etcetera | March 2000 | Choreographer: Jérôme Bel, Susanne Linke, William Shakespeare Performance Title: The last Performance, Nom donné par l'auteur, Jérôme Bel, Shirtology, Wandlung, Hamlet keywords: amnesia, identity, modernity, Walter Benjamin, mimesis, presence, identity, language, author, criticism |
| | Wakker worden!
Jérôme Bel en het geheugenverlies van de dans
| André Lepecki | Etcetera | March 2000 | Choreographer: Jérôme Bel, Shakespeare Performance Title: The last performance, Nom donné par l'auteur, Jérôme Bel, Shirtology, Hamlet keywords: memory, amnesia, text, identity |
| Wat je denkt, is wat je ziet, niet? Springdance/festival in Utrecht brengt werk op locatie | Jeroen Peeters | De Morgen | 21 April 2005 | Choreographer: Boris Charmatz, Julia Cima, Jérôme Bel Performance Title: Horace Benedict, Véronique Doisneau keywords: site specificity, context, politics, discourse, conceptualism, ballet, Steve Paxton, Springdance, Holland |
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