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Found 91 results for: Authors = "André Lepecki" ordered by Title
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"If I can't dance I don't want
to be part of your revolution."
André Lepecki reads 'Bodies of the text,' a collection of essays on dance, the body and feminism by Jaques Derrida, Susan Foster and others. | André Lepecki | Ballet-Tanz | August 1995 | Choreographer: Performance Title: Bodies of the Text keywords: Jacques Derrida, Susan Foster, Mark Franko, Michael Moon, Ellen Goellner, Jacqueline Shea Murphey, theory of dance, performative epistemology, theory-in-motion, ontology of dance |
| ‘Onbeweeglijke actie’ in Jérôme Bels The Last Performance Of: Het fantasma van het (dansende) subject ongedaan maken. | André Lepecki | Het zout der aarde | 2001 | Choreographer: Jérôme Bel, Vaslav Nijinsky, Isadora Duncan, Steve Paxton Performance Title: The Last Performance, Le Sacre du Printemps, Magnesium, Jérôme Bel keywords: stillness, 'small dance', 'microscopy of perception', resistance, temporality |
| | Bimárginario: In the land of imagination | André Lepecki | BLITZ | 28 August 1990 | Choreographer: Francisco Camacho, Mónica Lapa Performance Title: Bimarginário keywords: BLITZ |
| | ACARTE 92: MAGIAS E PALCOS NUS | André Lepecki | BLITZ | 15 September 1992 | Choreographer: Compagnie Maguy Marin, João Fiadeiro, Josef Nadj/ Théâtre JEL, Pierre Deloche Performance Title: May B , All That Fall, Act Without Words I and II, Retrato da memória enquanto peso morto, Tejalem, Les échelles d'Orphee keywords: BLITZ |
| | ACARTE 92: UM E OS OUTROS | André Lepecki | BLITZ | 22 September 1992 | Choreographer: Companhia Re.Al , João Fiadeiro , Michèle-Anne De Mey Performance Title: O que eu penso que ele pensa que eu penso , Sonatas 555; Terramara; Timbila te Venas; Kathakali keywords: BLITZ, Encontros Acarte '92,criticism, Sonatas 555; Terramara; Timbila te Venas; Kathakali
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| | APOCALÍPTICOS E INTEGRADOS | André Lepecki | BLITZ | 05 November 1991 | Choreographer: Kristien Van Reusel, Dennis O’Connor, V-Tol/Mark Murphy, Jan Fabre Performance Title: Sóla, The ostrich and the spider are said to hatch their eggs by looking at them, Crash and Burn, Sweet Temptations keywords: BLITZ, Klapstuk |
| Appetite Program text on the piece by Meg Stuart, Ann Hamilton and Damaged Goods | André Lepecki | Programme | September 1998 | Choreographer: Meg Stuart, Ann Hamilton, Damaged Goods Performance Title: Appetite keywords: process, lightness, Elaine Scarry |
| Arts on the edge of moving Program text on 'No One is Watching' by Meg Stuart and Damaged Goods | André Lepecki | Programme | 05 August 1995 | Choreographer: Meg Stuart, Damaged Goods Performance Title: No One is Watching keywords: degeneration, Michael Fried, theatricality, visuality, memory, time |
| | ASPECTOS DA DANÇA CONTEMPORÂNEA: O PROBLEMA DO CONTEXTO | André Lepecki | BLITZ | 24 December 1991 | Choreographer: Compagnie Na, Meg Stuart, Clara Andermatt Performance Title: Les Tubes, Disfigure Study,Mel keywords: BLITZ, Aspects of Contemporary Dance
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| | Aspects of contemporary dance: The problem of context | André Lepecki | BLITZ | 24 December 1991 | Choreographer: Compagnie Na, Meg Stuart, Clara Andermatt Performance Title: Les Tubes, Disfigure Study,Mel keywords: BLITZ, Aspects of Contemporary Dance |
| | Bagnolet selection: Dance in the capital | André Lepecki | BLITZ | 07 March 1992 | Choreographer: Victor Linhares, Debora Greenfield, Rui Nunes, Francisco Pedro, Clara Andermatt, Monica Runde Performance Title: 7 Cores (7 Colours), Fuego Quieto, A Ilha dos Amores, Memória das Flores (The Memory of Flowers), Só um bocadinho, Meeting Point keywords: BLITZ, Portuguese dance, criticism |
| | BAILARINA DO MAR | André Lepecki | BLITZ | 31 December 1990 | Choreographer: Paula Massano Performance Title: A Bailarina do Mar (Sea Dancer), Piña Colada, Estranhezas keywords: BLITZ,Companhia de Dança de Lisboa, “for all ages” |
| Caught in the Timetrap
How tradition paralyses American Dance
| André Lepecki | Ballet-Tanz | April 1999 | Choreographer: Steven Petronio, Bebe Miller, Douglas Dunn, Trisha Brown, Merce Cunningham, Meg Stuart, Jennifer Lacey, John Jasperse, Dennis 'O Connor Performance Title: Disfigure Study keywords: schism, Europe, America, tradition, modernism, post-modernism, post-'post-modernism', avant-garde, Susan Manning, Sally Banes, self-referentiality, crystallisation, fundings, New York |
| | Compahnia de dança de Lisboa: Out of step | André Lepecki | BLITZ | 12 February 1990 | Choreographer: Lionel Hoche, Conceição Abreu, Victor Garcia Performance Title: Devias ter deixado a luz acesa (You should have left the light on), Maravilhas de um país de Alice sem história (Wonders of an Alice land without a story), A Preto e Branco com cores (In black and white with colours) keywords: BLITZ,Companhia de Dança de Lisboa, institutions, critique, Potuguese dance |
| | CONFRONTOS ACARTE | André Lepecki | BLITZ | 18 September 1990 | Choreographer: Karine Saporta, Rosamund Gilmore, Laokoon Dance Group, Giorgio Barbiero Corsetti Performance Title: La Poudre des Anges, Einmarsch, During the construction of the Wall of China keywords: BLITZ, Encontros Acarte |
| | CONFRONTOS ACARTE – PARTE II | André Lepecki | BLITZ | 25 September 1990 | Choreographer: Performance Title: keywords: BLITZ |
| Crystallisation
Unmaking American dance by tradition
| André Lepecki | Dance Theatre Journal | February 1999 | Choreographer: Meg Stuart, Vera Mantero, Francisco Camacho, Jérôme Bel, Pina Bausch, Martha Graham, Vaslav Nijinsky, Paul Taylor, Douglas Dunn, Judson Church, ... Performance Title: Disfigure Study keywords: American dance, European dance, modernism, post-modernism, Susan Manning, Sally Banes, tradition,experiment, dramaturgy, Marcia Siegel, dance criticism, audience, perception, choreographer |
| | DANÇA NOVÍSSIMA? PARTE I | André Lepecki | BLITZ | 13 November 1990 | Choreographer: Susana Vassallo e Silva, Miguel Pereira Performance Title: Amour qui passe, amour qui reste keywords: BLITZ, Europália 91,Novíssimos(“the very young”), New Portuguese Dance movement, dance theatre, new Belgian dance movement |
| | DANÇA NOVÍSSIMA? PARTE II | André Lepecki | BLITZ | 20 November 1990 | Choreographer: José Laginha, Rui Nunes Performance Title: Of the items of intimacy, Generosidades da alma (Generosities of the soul) keywords: BLITZ,Europália 91, Novíssimos – “The Very Young" |
| | DANÇAS DA TRIBO URBANA: NEXT WAVE FESTIVAL | André Lepecki | BLITZ | 22 December 1992 | Choreographer: David Rousseve, John Marinelli, Allyson Green Performance Title: Urban Scenes/Creole Dreams, Between (Songs of Unrest) keywords: BLITZ, Next Wave festival,P.S. 122,Judson Church |
| | DANÇAS EM MAIO | André Lepecki | BLITZ | 25 May 1993 | Choreographer: Saburo Teshigawara, Vera Mantero, Angels Margarit Performance Title: Bones in pages, Perhaps she could dance first and think afterwards, Corol. 1a keywords: BLITZ, Springdance, Voorland
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| Dance of Differences culltures grow together, but the more similar they get, the greater the interest in their differences is: A fertile soil for multi-cultural dance?
| André Lepecki | Ballet-Tanz | July 1998 | Choreographer: Performance Title: keywords: trans-cultural, trans-ethnic, trans-religious, anthropologhy, Marcel Mauss, Richard G. Fox, diversity, body language, Michel Foucault, exotism, alien/familiar, Otherness, Julia Kristeva, colionalism, translation, difference, distancing, orientalism |
| Dance without distance André Lepecki on the collapsing barriers between dancers, choreographers, critics, and other interested parties | André Lepecki | Ballet-Tanz | February 2001 | Choreographer: Vera Mantero, Xavier Leroy, Pina Bausch, Meg Stuart, Boris Charmatz, Pina Bausch, William Forsythe Performance Title: keywords: Randy Martin, Susan Manning, modernism, capitalism, distance, working processes, producer, dramaturge, choreographer, critic, Mark Franko, politics, Hal Foster, proximity, criticism, UTC06 |
| | Dancing without a Mirror | André Lepecki | Ballett-Tanz | February 1998 | Choreographer: Vera Mantero, Francisco Camacho,Clara Andermatt, João Fiadeiro , Verde Gaio, Gulbenkian Ballet Performance Title: keywords: Portuguese dance, Vera Mantero, Francisco Camacho,Clara Andermatt, João Fiadeiro |
| | Encontros Acarte ’90: Showdown (part one) | André Lepecki | BLITZ | 18 September 1990 | Choreographer: Karine Saporta, Rosamund Gilmore, Laokoon Dance Group, Giorgio Barbiero Corsetti Performance Title: La Poudre des Anges, Einmarsch, During the construction of the Wall of China keywords: BLITZ, Encontros Acarte |
| | Encontros Acarte ’90: Showdown (Part Two) | André Lepecki | BLITZ | 25 August 1990 | Choreographer: Jean-Claude Gallotta, DV8 Physical Theatre, Jan Fabre, Olga Roriz Performance Title: Les Mystères de Subal, In-Fracções (In-Fractions) keywords: BLITZ, Encentros Acarte |
| | Encontros Acarte ’91: Acids and corrosion (Part One) | André Lepecki | BLITZ | 10 September 1991 | Choreographer: Duarte Barrilaro Ruas, Johann Kresnik Performance Title: Povo das Chuvas Ácidas (The People of Acid Rain), MacBeth keywords: BLITZ, Encontros Acarte’91 |
| | Encontros Acarte '91: Up with the French! (Part Three) | André Lepecki | BLITZ | 24 September 1991 | Choreographer: De Rotterdamse Dansgroep, Catherine Diverrès, Pina Bausch, Valletti Performance Title: Concertino, Deux Histoires keywords: BLITZ,Encontros Acarte 91, dance theatre, pessoa,authorship |
| | Encontros Acarte '92: Naked magic and bare stages (Part Two) | André Lepecki | BLITZ | 15 September 1992 | Choreographer: Compagnie Maguy Marin, Neuer Tanz, Wanda Golonka, Theatre JEL, João Fiadeiro, Pierre Deloche, Danat Danza Performance Title: May B, Ballet no. 5… to dance by the nose, Retrato da memória enquanto peso morto, Les Échelles d’Orphée, Tejalem, Y quedaré/ Delante de Los Muros Inmensos/ Esperando Que por Fin Venga/ Alguiem a Buscarme.../ a Kaspar keywords: Encontros Acarte '92, BLITZ |
| | Encontros Acarte '92: One and the others (Part Three) | André Lepecki | BLITZ | 22 September 1992 | Choreographer: Companhia Re.Al , João Fiadeiro , Michèle-Anne De Mey Performance Title: O que eu penso que ele pensa que eu penso , Sonatas 555; Terramara; Timbila te Venas; Kathakali keywords: Encontros Acarte '92,criticism, Sonatas 555; Terramara; Timbila te Venas; Kathakali, BLITZ |
| | Encontros Acarte '92: The life raft (Part One) | André Lepecki | BLITZ | 01 September 1992 | Choreographer: Performance Title: keywords: Encontros Acarte, dance theatre, BLITZ |
| | ENCONTROS ACARTE: TÁBUA DE SALVAÇÃO | André Lepecki | BLITZ | 01 September 1992 | Choreographer: Performance Title: keywords: Encontros Acarte, Dance theater, BLITZ |
| | Encontros Acarte’91: Up with the Belgians! (Part Two) | André Lepecki | BLITZ | 17 September 1991 | Choreographer: Wim Vandekeybus, Lucia Latour, Anne Teresa de Keersmaeker Performance Title: Sempre as Mesmas Mentiras (Always the Same Lies), Anhiccam, Achterland keywords: BLITZ, Encontros Acarte’91 |
| | Europália 91: Four for Klapstuk | André Lepecki | BLITZ | 16 July 1991 | Choreographer: Francisco Camacho, Aldara Bizarro, Joana Providência, Rui Nunes Performance Title: O Rei no Exílio (The King in Exile), Quatro e o Quarto, As Marias e os Papelinhos (The Marias and the Little Papers), Justine et Abstine, Mecanismos, A Ilha dos Amores (The Island of Love) keywords: BLITZ |
| | EUROPÁLIA’91: QUATRO PARA KLAPSTUK | André Lepecki | BLITZ | 16 July 1991 | Choreographer: Francisco Camacho, Aldara Bizarro, Joana Providência, Rui Nunes Performance Title: O Rei no Exílio (The King in Exile), Quatro e o Quarto, As Marias e os Papelinhos (The Marias and the Little Papers), Justine et Abstine, Mecanismos, A Ilha dos Amores (The Island of Love) keywords: BLITZ
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| | Exhausting dance | André Lepecki | Sarma | 16 April 2005 | Choreographer: Hooman Sharifi, Bruno Beltrão, Performance Title: keywords: context, space, falling, Paul Carter, Henri Lefebvre, post-colonial, Paul Schilder, Fanon, |
| How (Not) to perform the Political Reflections on a Midsummer Nightmare Workshop | André Lepecki | Ballet-Tanz | January 1995 | Choreographer: Johann Kresnik Performance Title: keywords: engaged bodies, politics, rethorical, readibility, violence,resistance,ideology of obscenity, student workshop |
| How modern is modernism? The Relevance of Reconstruction.
An Essay by André Lepecki about the Martha Graham Retrospective
| André Lepecki | Ballet-Tanz | August 1996 | Choreographer: Martha Graham, Anne-Teresa De Keersmaeker Performance Title: Lamentation, Ardent Song, Flute of Krishna, Rosas danst Rosas keywords: reconstruction, choreography, history, dance notation, liveliness, cultural context, modernism, Mark Franko, Martha Graham Dance Company |
| | How radical is contemporary dance? | André Lepecki | Ballet-Tanz | February 1995 | Choreographer: Performance Title: keywords: |
| | JOÃO FIADEIRO: CAIR NA RE.AL | André Lepecki | BLITZ | 11 February 1992 | Choreographer: João Fiadeiro Performance Title: RE.AL, Retrato da Memória Enquanto Peso Morto [Portrait of Memory as a Dead Weight] keywords: BLITZ |
| | João Fiadeiro: Get re.al | André Lepecki | BLITZ | 11 February 1992 | Choreographer: João Fiadeiro Performance Title: RE.AL, Retrato da Memória Enquanto Peso Morto [Portrait of Memory as a Dead Weight keywords: BLITZ |
| | Klapstuk '91: Apocalyptic and integrated (Part Two) | André Lepecki | BLITZ | 05 November 1991 | Choreographer: Kristien Van Reusel, Dennis O’Connor, V-Tol/Mark Murphy, Jan Fabre Performance Title: Sóla, The ostrich and the spider are said to hatch their eggs by looking at them, Crash and Burn, Sweet Temptations keywords: BLITZ, Klapstuk |
| | Klapstuk '91: Apocalyptic and integrated (Part Two) | André Lepecki | BLITZ | 05 November 1991 | Choreographer: Performance Title: keywords: BLITZ |
| | Klapstuk '91: End of the party | André Lepecki | BLITZ | 12 November 1991 | Choreographer: Francisco Camacho, Joana Providência, Vera Mantero, Rui Nunes, Aldara Bizarro, Paulo Ribeiro, João Fiadeiro Performance Title: As Marias e os Papelinhos, Sustine et Abstine, A B C Mais, O Rei no Exílio, A Ilha dos Amores, Modo de Utilização, Perhaps she should dance first and think afterwards, Um solo para dois intérpretes (A solo for two performers), Quaderni in Atta Vo keywords: BLITZ, Klapstuk, The New Portuguese, Bruno Verbergt |
| | Klapstuk '91: The newest ones | André Lepecki | BLITZ | 22 October 1991 | Choreographer: Blok and Steel, Angelica Oei, Meg Stuart, John Jasperse, Mónica Valenciano, Steve Krieckhaus Performance Title: Be Long, Aliud, Disfigure Study, Half Step Drop, Puntos Suspensivos, Address, Missouri Pacific keywords: BLITZ, Klapstuk, Bruno Verbergt |
| | KLAPSTUK’91 TERCEIRA PARTE: FIM DE FESTA | André Lepecki | BLITZ | 12 November 1991 | Choreographer: Francisco Camacho, Joana Providência, Vera Mantero, Rui Nunes, Aldara Bizarro, Paulo Ribeiro, João Fiadeiro Performance Title: As Marias e os Papelinhos, Sustine et Abstine, A B C Mais, O Rei no Exílio, A Ilha dos Amores, Modo de Utilização, Perhaps she should dance first and think afterwards, Um solo para dois intérpretes (A solo for two performers), Quaderni in Atta Vo keywords: BLITZ, Klapstuk, The New Portuguese, Bruno Verbergt |
| | KLAPSTUK’91: PARTE PRIMEIRA | André Lepecki | BLITZ | 22 October 1991 | Choreographer: Blok and Steel, Angelica Oei, Meg Stuart, John Jasperse, Mónica Valenciano, Steve Krieckhaus Performance Title: Be Long, Aliud, Disfigure Study, Half Step Drop, Puntos Suspensivos, Address, Missouri Pacific keywords: BLITZ, Klapstuk, Bruno Verbergt |
| | Meg Stuart: Eradicating dance | André Lepecki | BLITZ | 26 November 1991 | Choreographer: Meg Stuart Performance Title: Disfigure Study keywords: BLITZ |
| | MEG STUART: EXTIRPAR A DANÇA | André Lepecki | BLITZ | 26 November 1991 | Choreographer: Meg Stuart Performance Title: Disfigure Study keywords: BLITZ |
| Menial Tasks 'PASTForward': The White Oak Dance Project does Judson | André Lepecki | Ballet-Tanz | August 2001 | Choreographer: Performance Title: keywords: |
| | MOVIMENTO EM FALSO | André Lepecki | BLITZ | 12 February 1991 | Choreographer: Performance Title: keywords: BLITZ |
| Moving against Program text on Meg Stuart's solo 'XXX. For Arlene and Colleagues' | André Lepecki | Programme | September 1995 | Choreographer: Bill T. Jones, Meg Stuart Performance Title: Still/Here, XXX for Arlene and colleagues keywords: criticism, politics, Arlene Croce, disease, body |
| Moving Without the Colonial Mirror: Modernity, Dance, and Nation in the Works of Vera Mantero and Francisco Camacho (1985-97)
Chapter 3:The Shattered Mirror - The Dance of Existing | André Lepecki | Sarma | January 2004 | Choreographer: Vera Mantero Performance Title: keywords: |
| Moving Without the Colonial Mirror: Modernity, Dance, and Nation in the Works
of Vera Mantero and Francisco Camacho (1985-97)
Chapter 2: Missing Body/Missing Dance/Missing Country | André Lepecki | Sarma | January 2004 | Choreographer: Vera Mantero, Francisco Camacho Performance Title: keywords: Portuguese dance, choreography, corporeality, absence of the body, revolution, Eduard Lourenço, José Sasportes, Alexandre Melo, Nova Dança Portuguesa |
| Moving Without the Colonial Mirror:
Modernity, Dance, and Nation in the Works
of Vera Mantero and Francisco Camacho (1985-97)
CHAPTER 2:MISSING BODY/MISSING DANCE/MISSING COUNTRY
| André Lepecki | Sarma | 28 January 2004 | Choreographer: Vera Mantero, Francisco Camacho Performance Title: keywords: Portuguese dance, choreography, corporeality, absence of the body, revolution, Eduard Lourenço, José Sasportes, Alexandre Melo, Nova Dança Portuguesa |
| Moving Without the Colonial Mirror:
Modernity, Dance, and Nation in the Works
of Vera Mantero and Francisco Camacho (1985-97)
Chapter 1. Introduction: Outlining Positions | André Lepecki | | 20 January 2004 | Choreographer: Vera Mantero, Francisco Camacho Performance Title: keywords: Portuguese dance, Francisco Camacho, Vera Mantero, anthropology, dance criticism, dramaturge, post-colonialism, politics, body-images, modernism, European dance, avant-gardism |
| Moving Without the Colonial Mirror:
Modernity, Dance, and Nation in the Works
of Vera Mantero and Francisco Camacho (1985-97)
Chapter 6: Experiments on the Subjectivity of Modernity | André Lepecki | Sarma | 02 January 2004 | Choreographer: Vera Mantero, Francisco Camacho Performance Title: One mysterious thing, said EE Cummings;Perhaps she could dance first and think afterwards; Olímpia keywords: |
| | NAS TERRAS DO IMAGINÁRIO | André Lepecki | BLITZ | 28 August 1990 | Choreographer: Francisco Camacho, Mónica Lapa Performance Title: Bimarginário keywords: BLITZ |
| | Next Wave festival: Urban Tribe Dances | André Lepecki | BLITZ | 22 December 1992 | Choreographer: David Rousseve, John Marinelli, Allyson Green Performance Title: Urban Scenes/Creole Dreams, Between (Songs of Unrest) keywords: BLITZ, Next Wave festival, P.S. 122 , Judson Church |
| | One Decade, Four Choreographers | André Lepecki | Ballett-Tanz | February 1998 | Choreographer: Clara Andermatt, Vera Mantero, Francisco Camacho, João Fiadeiro Performance Title: keywords: Portuguese dance |
| | OS ÁCIDOS E OS CORROMPIDOS | André Lepecki | BLITZ | 10 September 1991 | Choreographer: Duarte Barrilaro Ruas, Johann Kresnik Performance Title: Povo das Chuvas Ácidas (The People of Acid Rain), MacBeth keywords: BLITZ, Encontros Acarte’91 |
| Par le biais de la présence la composition dans l'avant-garde post-bauschienne | André Lepecki | Nouvelles De Danse | October 1999 | Choreographer: Pina Bausch, Vera Mantero, Francisco Camacho, Meg Stuart, Bill T. Jones, Performance Title: A Queda de um Ego, Gust, XXX, For Arlene and Colleagues, Still/Here keywords: composition,Pina Bausch, Hal Foster, avant-garde, C. Geertz, Peggy Phelan, Arlene Croce, Meg Stuart, Francisco Camacho, Bill T. Jones, Judson Church, composition, post-bausch, l'artiste ethnographe, dramaturgy, collage |
| | Paula Massano: Sea Dancer | André Lepecki | BLITZ | 31 December 1990 | Choreographer: Paula Massano Performance Title: A Bailarina do Mar (Sea Dancer), Piña Colada, Estranhezas keywords: BLITZ,Companhia de Dança de Lisboa, “for all ages” |
| Postcolonialism, Interculturalism
Taiwanese choreographer Lin Hwai- min has found a new voice for dance. André Lepecki interprets his 'Nine Songs' and Jochen Schmidt considers his latest production 'Songs of Wanderers'.
| André Lepecki | Ballet-Tanz | January 1996 | Choreographer: Lin Hwai-Min Performance Title: Nine Songs keywords: interculturalism, postcolonialism, audience, spectator |
| Rethinking Words A Field Trip to Dance Criticism | André Lepecki | Contact Quarterly | September 1994 | Choreographer: Performance Title: keywords: dance criticism, student workshop, dance market, anthropology, construction, politics, performative in writing, interpretive criticism, descriptive criticism, situational criticism, James Clifford, Noël Carroll, Dwight Conquergood |
| | Rien, pas même le corps... | André Lepecki | Nouvelles De Danse | April 1998 | Choreographer: John Jasperse, Vera Mantero, Felix Ruckert, Dennis O'Connor, Boris Charmatz, Jérôme Bel, Meg Stuart Performance Title: keywords: anthropology, 'what is dance?', Michel Foucault, Marcel Mauss, Clifford Geertz, Judith Lynne Hanna |
| Schrijven in beweging Een essay over schrijven en dansen
en over de virtuele ruimte van het geheugen
| André Lepecki | Etcetera | February 1996 | Choreographer: Performance Title: keywords: criticism, choreography, evanescence, Peggy Phelan |
| | SELECÇÃO DE BAGNOLET: DANÇA NA CAPITAL | André Lepecki | BLITZ | 07 March 1992 | Choreographer: Victor Linhares, Debora Greenfield, Rui Nunes, Francisco Pedro, Clara Andermatt, Monica Runde Performance Title: 7 Cores (7 Colours), Fuego Quieto, A Ilha dos Amores, Memória das Flores (The Memory of Flowers), Só um bocadinho, Meeting Point keywords: BLITZ, Portuguese dance, criticism |
| | Springdance '92: Strange Fish(Part One) | André Lepecki | BLITZ | 26 May 1992 | Choreographer: Peter de Ruiter, DV8 Performance Title: EisenNerz, Strange Fish keywords: Springdance, BLITZ |
| | Springdance '92: The Voorland Programme (Part Two) | André Lepecki | BLITZ | 09 June 1992 | Choreographer: Vera Mantero, Joana Providência , Marguerita Guéra, Gonnie Heggen, Matjaz Prograjc, Meg Stuart, Daniele Desnoyers, Ursula Schmid, Cecile van Deursen Performance Title: Disfigure Study, Constanza, Here’s to Harry, Monologue Intérieur keywords: BLITZ, Voorland, Springdance, |
| | Springdance conversations: André Lepecki in conversation with Bruno Beltrão, Hooman Sharifi and Rosemary Lee | André Lepecki | Sarma | 15 April 2005 | Choreographer: Hooman Sharifi, Bruno Beltrão, Rosemary Lee Performance Title: H², Remote dancing, Hopefully someone will carry out great vengeance on me keywords: |
| | Springdance Festival: Dances in May | André Lepecki | BLITZ | 25 May 1993 | Choreographer: Saburo Teshigawara, Vera Mantero, Angels Margarit Performance Title: Bones in pages, Perhaps she could dance first and think afterwards, Corol. 1a keywords: Springdance, Voorland, BLITZ |
| | SPRINGDANCE II – VOORLAND | André Lepecki | BLITZ | 09 June 1992 | Choreographer: Vera Mantero, Joana Providência , Marguerita Guéra, Gonnie Heggen, Matjaz Prograjc, Meg Stuart, Daniele Desnoyers, Ursula Schmid, Cecile van Deursen Performance Title: Disfigure Study, Constanza, Here’s to Harry, Monologue Intérieur keywords: BLITZ,Voorland, Springdance, |
| | SPRINGDANCE’92: O PEIXE ESTRANHO | André Lepecki | BLITZ | 26 May 1992 | Choreographer: Peter de Ruiter, DV8 Performance Title: EisenNerz, Strange Fish keywords: Springdance, BLITZ |
| Swallow My Yellow Smile - Schlucke mein feiges Lächeln Programm zu dem Stück von Meg Stuart und Via Lewandowsky | André Lepecki | Programme | June 1994 | Choreographer: Meg Stuart, Via Lewandowsky Performance Title: Swallow My Yellow Smile keywords: private-public, skin, body, social |
| | The body in difference | André Lepecki | Fama | 2000 | Choreographer: Vera Mantero, Meg Stuart, Francisco Camacho, Monica Valenciano Performance Title: Perhaps she could dance first and think afterwards, Disfigure Study, Dom São Sebastião keywords: interculturalism, the Other, Portugal, Klapstuk, Sally Ann Ness, ethnography |
| The dancing Book A portrait of the Portuguese choreographer Vera Mantero | André Lepecki | Ballet-Tanz | March 1999 | Choreographer: Vera Mantero Performance Title: SOB, 'Different Clouds Different Skies' , Poesia e Selvajaria (Poetry And Savagery), Foda de Morte'(Death Fuck) , uma misteriosa Coissa disse o e.e. cummings (One mysterious Thing, said E.E. Cummings),'A Queda de um Ego' (The Fall of an Ego) keywords: dance, text, poetry, dramaturgy, books, literature as dance, working process, voice, Bateson, Derrida, Barthes, Deleuze |
| The fractal space of self Dramaturgical notes on Meg Stuart's 'Disfigure Study' | André Lepecki | Dramaturgical notes | 30 August 1992 | Choreographer: Meg Stuart, Damaged Goods, Hahn Rowe Performance Title: Disfigure Study keywords: body, identity |
| | The latest new dance (Part two)
| André Lepecki | BLITZ | 20 November 1990 | Choreographer: José Laginha, Rui Nunes Performance Title: Of the items of intimacy, Generosidades da alma (Generosities of the soul) keywords: BLITZ, Europália 91, Novíssimos – “The Very Young" |
| | The latest new dance? (Part One)
| André Lepecki | BLITZ | 13 November 1990 | Choreographer: Susana Vassallo e Silva, Miguel Pereira Performance Title: Amour qui passe, amour qui reste keywords: BLITZ, Europália 91,Novíssimos(“the very young”), New Portuguese Dance movement, dance theatre, new Belgian dance movement |
| Undoing the fantasy of the (dancing) subject. ‘Still acts’ in Jérôme Bel’s The Last Performance. | André Lepecki | The Salt of the Earth | 2001 | Choreographer: Jérôme Bel, Vaslav Nijinsky, Isadora Duncan, Steve Paxton Performance Title: The Last Performance, Le Sacre du Printemps, Magnesium, Jérôme Bel keywords: stillness, 'small dance', 'microscopy of perception', resistance, temporality |
| | VERA DE MÃOS VAZIAS | André Lepecki | BLITZ | 28 April 1992 | Choreographer: Performance Title: Perhaps she could dance first and think afterwards keywords: BLITZ |
| | Vera Mantero: Empty handed Vera | André Lepecki | BLITZ | 28 April 1992 | Choreographer: Performance Title: Perhaps she could dance first and think afterwards, keywords: BLITZ, prêt-à-penser |
| | Vera Mantero: The Fall of an Ego | André Lepecki | Ballet-Tanz | December 1997 | Choreographer: Vera Mantero Performance Title: The Fall Of An Ego keywords: colloborative process, images, societal |
| | VIVÓS BELGAS | André Lepecki | BLITZ | 17 September 1991 | Choreographer: Wim Vandekeybus, Lucia Latour, Anne Teresa de Keersmaeker Performance Title: Sempre as Mesmas Mentiras (Always the Same Lies), Anhiccam, Achterland keywords: BLITZ, Encontros Acarte’91
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| | VIVÓS FRANCESES! | André Lepecki | BLITZ | 24 September 1991 | Choreographer: De Rotterdamse Dansgroep, Catherine Diverrès, Pina Bausch, Valletti Performance Title: Concertino, Deux Histoires keywords: BLITZ |
| Wake up call Citation and the unmaking of amnesia in The Last Performance | André Lepecki | Etcetera | March 2000 | Choreographer: Jérôme Bel, Susanne Linke, William Shakespeare Performance Title: The last Performance, Nom donné par l'auteur, Jérôme Bel, Shirtology, Wandlung, Hamlet keywords: amnesia, identity, modernity, Walter Benjamin, mimesis, presence, identity, language, author, criticism |
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Jérôme Bel en het geheugenverlies van de dans
| André Lepecki | Etcetera | March 2000 | Choreographer: Jérôme Bel, Shakespeare Performance Title: The last performance, Nom donné par l'auteur, Jérôme Bel, Shirtology, Hamlet keywords: memory, amnesia, text, identity |
| Why Theater? Observations on an international conference in Toronto | André Lepecki | Ballet-Tanz | July 1996 | Choreographer: Performance Title: keywords: politics, dramaturgy, society, time, space |
| | Writing in motion | André Lepecki | Etcetera | February 1996 | Choreographer: Performance Title: keywords: criticism, choreography, evanescence, Peggy Phelan, Tanzkongress |
| Zijn is een kunst die beweegt Dramaturgische notities bij 'No One is Watching' van Meg Stuart en Damaged Goods | André Lepecki | Dramaturgical notes | February 1995 | Choreographer: Meg Stuart, Damaged Goods Performance Title: No One is Watching, Disfigure Study, Swallow My Yellow Smile, No Longer Readymade keywords: body, fragmentation, identity |
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